The Life of Ludwig van Beethoven, Volume I — John Shaqi
The Life of Ludwig van Beethoven, Volume IThayer, Alexander Wheelock
History
The Life of Ludwig van Beethoven, Volume I
Thayer, Alexander Wheelock
Beethoven, Ludwig van, 1770-1827
In this edition, finally, more importance is attached to the so-called
Fischer Manuscript than Thayer was inclined to give it, although he,
somewhat grudgingly we fear, consented that Dr. Deiters should print it
with critical comments in the Appendix of his Vol. I. The manuscript,
though known to Thayer, had come to the attention of Dr. Deiters too
late for use in the narrative portion of the volume, though it was
thus used in the second edition. The story of the manuscript, which
is now preserved in the museum of the Beethoven-Haus Verein in Bonn,
is a curious one. Its author was Gottfried Fischer, whose ancestors
for four generations had lived in the house in the Rheingasse which
only a few years ago was still, though mendaciously, pointed out to
strangers as the house in which Beethoven was born. Fischer, who lived
till 1864, was born in the house which formerly stood on the site of
the present building known as No. 934, ten years after Beethoven’s eyes
opened to the light in the Bonngasse. At the time of Fischer’s birth
the Beethoven family occupied a portion of the house and Fischer’s
father and the composer’s father were friends and companions. There,
too, had lived the composer’s grandfather. Gottfried Fischer had a
sister, Cäcilia Fischer, who was born eight years before Beethoven;
she remained unmarried and lived to be 85 years old, dying on May
23rd, 1845. The festivities attending the unveiling of the Beethoven
monument in 1838 brought many visitors to Bonn and a natural curiosity
concerning the relics of the composer. Inquirers were referred to
the house in the Rheingasse, then supposed to be the birthplace of
the composer, where the Fischers, brother and sister, still lived.
They told their story and were urged by eager listeners to put it
into writing. This Gottfried did the same year, but, keeping the
manuscript in hand, he added to it at intervals down to the year 1857
at least. He came to attach great value to his revelations and as
time went on embellished his recital with a mass of notes, many of no
value, many consisting of iterations and reiterations of incidents
already recorded, and also with excerpts from books to which, in his
simplicity, he thought that nobody but himself had access. He was
an uneducated man, ignorant even of the correct use of the German
language; it is, therefore, not surprising that much of his record is
utterly worthless; but mixed with the dross there is much precious
metal, especially in the spinster’s recollection of the composer’s
father and grandfather, for while Gottfried grew senile his sister
remained mentally vigorous to the end. Thayer examined the document and
offered to buy it, but was dissuaded by the seemingly exorbitant price
which the old man set upon it. It was finally purchased for the city’s
archives by the Oberbürgermeister and thus came to the notice of Dr.
Deiters. His use of it has been followed by the present editor.
HENRY EDWARD KREHBIEL.
Public-domain text, read in full here on John Shaqi.
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