The Life of Ludwig van Beethoven, Volume IThayer, Alexander Wheelock
History
The Life of Ludwig van Beethoven, Volume I
Thayer, Alexander Wheelock
Beethoven, Ludwig van, 1770-1827
Cramer’s musical gods were Handel and Mozart, notwithstanding his
life-long love for Bach’s clavier compositions; hence the abrupt
transitions, the strange modulations, and the, until then, unheard
passages, which Beethoven introduced ever more freely into his
works--many of which have not yet found universal acceptance--were
to him, as to Tomaschek and so many other of his contemporaries,
imperfections and distortions of compositions, which but for them were
models of beauty and harmonious proportion. He once gave this feeling
utterance with comic exaggeration, when Potter, then a youth, was
extolling some abstruse combinations, by saying: “If Beethoven emptied
his inkstand upon a piece of music paper you would admire it!”
Upon Beethoven’s demeanor in society, Schindler proceeds thus:
BEETHOVEN’S DEMEANOR IN SOCIETY
The communications of both (Cramer and Madame Cherubini) agreed
in saying that in mixed society his conduct was reserved, stiff
and marked by artist’s pride; whereas among his intimates he was
droll, lively, indeed, voluble at times, and fond of giving play
to all the arts of wit and sarcasm, not always wisely especially
in respect of political and social prejudices. To this the two
were able to add much concerning his awkwardness in taking hold
of such objects as glasses, coffee cups, etc., to which Master
Cherubini added the comment: “Toujours brusque.” These statements
confirmed what I had heard from his older friends touching the
social demeanor of Beethoven in general.
Cramer reached Vienna early in September, and remained there, according
to Schindler, through the following winter; but he does not appear to
have given any public concerts, although, during the first month of
his stay, we learn from a newspaper, he “earned general and deserved
applause by his playing.” It is needless to dwell upon the advantages
to Beethoven of constant intercourse for several months with a master
like Cramer, whose noblest characteristics as pianist were the same as
Mozart’s, and precisely those in which Beethoven was deficient.
* * * * *
Public-domain text, read in full here on John Shaqi.
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