“Das Rosenfest” Music by Wolf (of Weimar) “Azalia” „ „ Johann Küchler (Bassoonist in the Bonn chapel) “Die Sklavin” (_La Schiava_) „ „ Piccini “Zémire et Azor” „ „ Grétry “Das Mädchen im Eichthale” (“Maid of the Oaks”) „ „ d’Antoine (Captain in the army of the Elector of Cologne) “Der Kaufmann von Smyrna” „ „ J. A. Juste (Court Musician in The Hague) “Die seidenen Schuhe” „ „ Alexander Frizer (or Fridzeri) “Die Reue vor der That” „ „ Desaides “Der Aerndtetanz” „ „ J. A. Hiller “Die Olympischen Spiele” (_Olympiade_) „ „ Sacchini “Die Lügnerin aus Liebe” „ „ Salieri “Die Italienerin zu London” „ „ Cimarosa “Das gute Mädchen” (_La buona figliuola_) „ „ Piccini “Der Antiquitäten-Sammler” „ „ André “Die Entführung aus dem Serail” „ „ Mozart “Die Eifersucht auf der Probe” (_Il Geloso in Cimento_) „ „ Anfossi “Rangstreit und Eifersucht auf dem Lande” (_Le Gelosie villane_) „ „ Sarti “Unverhofft kommt oft” (_Les Évènements imprévus_) „ „ Grétry “Felix, oder der Findling” (_Félix ou l’Enfant trouvé_) „ „ Monsigny “Die Pilgrimme von Mekka” „ „ Gluck But a still farther provision has been made for the Elector’s amusement during the season of 1783-’84, by the engagement of a ballet corps of eighteen persons. The titles of five newly rehearsed ballets are given in the report from which the above particulars are taken, and which may be found in the theatrical calendar for 1784. With an enlarged company and a more extensive repertory, preparations were made for opening the theatre upon the Elector’s return, at the end of October, from Münster to Bonn. But the relations of the company to the court have been changed. Let the “Theater-Kalender” describe the new position in which the stage at Bonn was placed: