A number of letters to Gleichenstein and Zmeskall to which attention must now be called seem to show us Beethoven in the character of a man so deeply smitten with the charms of a newly-acquired lady friend that he turns his attention seriously to his wardrobe and personal appearance and thinks unusually long and frequently of the social pleasures enjoyed at the home of his charmer. A desire to save space alone prevents the publication of the letters in full, but the reader may find them in the published Collections of the composer’s letters.[77] In the first of these he sends Gleichenstein 300 florins which the Count was to expend for him in the purchase of linen and nankeen for shirts and “at least half a dozen neckties.” On the same day, he informs his correspondent that acting on his advice he had paid Lind 300 florins. Henickstein had paid him twenty-seven and a half florins for a pound sterling and invited him and Gleichenstein to dine the next day with Clementi. Very significantly the letter ends with: “Greet everything that is dear to you and me. How gladly would I like to add ~to whom we are dear????~” Lind was a tailor and Henickstein the son of a banker. The next day he writes that on the previous evening the Archduke had requested his presence on the day set for the dinner and he had been obliged to send Henickstein a declination. The day after that he concludes a note telling about the meeting at the Archduke’s with “Farewell. This evening I will come to the dear Malfattis.” Here is the next letter in full: As I shall have enough time this morning, I shall come to the Savage (~zum wilden Mann~--a restaurant) in the Prater. I fancy that I shall find no savages there but beautiful Graces, and for them I must don my armor. I know you will not think me a sponge because I come only for dinner, and so I will come straight. If I find you at home, well and good; if not, I’ll hurry to the Prater to embrace you. On the day after that he sends Gleichenstein an S. (a sonata, doubtless) which he had “promised Therese” and adds: “Give my compliments to all of them. It seems as if the wounds with which wicked men have pierced my soul might be healed by them”; he sends 50 florins more for cravats and makes a boast of it that Gigons, Malfatti’s little dog, had supped with him and accompanied him home. This is the first of the only two allusions which Beethoven makes in all the papers, printed or written, relating to him, of a domestic pet animal. Another letter reads: “I beg of you to let me know when the M. remain at home of an evening. You surely had a pleasant sleep--I slept little, but I prefer such an awaking to all sleep.” Again he writes to say that he wished “Madame M.” would give him permission to pick out a pianoforte for her which she wished to buy “at Schanz’s.” Though it was his rule never to accept commissions on such sales, he wanted to save money for the lady on this purchase.