The Life of Ludwig van Beethoven, Volume IIThayer, Alexander Wheelock
History
The Life of Ludwig van Beethoven, Volume II
Thayer, Alexander Wheelock
Beethoven, Ludwig van, 1770-1827
When I saw him of whom I shall now speak to you, I forgot the
whole world--as the world still vanishes when memory recalls the
scene--yes, it vanishes.... It is Beethoven of whom I now wish to
tell you, and who made me forget the world and you; I am still in
my nonage, it is true, but I am not mistaken when I say--what no
one, perhaps, now understands and believes--he stalks far ahead
of the culture of mankind. Shall we ever overtake him?--I doubt
it, but grant that he may live until the mighty and exalted enigma
lying in his soul is fully developed, may reach its loftiest goal,
then surely he will place the key to his heavenly knowledge in
our hands so that we may be advanced another step towards true
happiness.
To you, I am sure, I may confess I believe in a divine magic
which is the essence of intellectual life. This magic Beethoven
practises in his art. Everything that he can tell you about is pure
magic, every posture is the organization of a higher existence,
and therefore Beethoven feels himself to be the founder of a new
sensuous basis in the intellectual life; you will understand
what I am trying to say and how much of it is true. Who could
replace this mind for us? From whom could we expect so much? All
human activities toss around him like mechanism, he alone begets
independently in himself the unsuspected, uncreated. What to him is
intercourse with the world--to him who is at his sacred daily task
before sunrise and who after sunset scarcely looks about him, who
forgets sustenance for his body and who is carried in a trice, by
the stream of his enthusiasm, past the shores of work-a-day things?
He himself said: “When I open my eyes I must sigh, for what I see
is contrary to my religion, and I must despise the world which
does not know that music is a higher revelation than all wisdom
and philosophy, the wine which inspires one to new generative
processes, and I am the Bacchus who presses out this glorious wine
for mankind and makes them spiritually drunken. When they are again
become sober they have drawn from the sea all that they brought
with them, all that they can bring with them to dry land. I have
not a single friend; I must live alone. But well I know that God is
nearer to me than to other artists; I associate with him without
fear; I have always recognized and understood him and have no fear
for my music--it can meet no evil fate. Those who understand it
must be freed by it from all the miseries which the others drag
about with themselves.”
Public-domain text, read in full here on John Shaqi.
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