The Life of Ludwig van Beethoven, Volume IIThayer, Alexander Wheelock
History
The Life of Ludwig van Beethoven, Volume II
Thayer, Alexander Wheelock
Beethoven, Ludwig van, 1770-1827
All this Beethoven said to me the first time I saw him; a feeling
of reverential awe came over me when he expressed himself to me
with such friendly frankness, seeing that I must have appeared
so utterly insignificant to him. I was surprised, too, for I had
been told that he was unsociable and would converse with nobody.
They were afraid to take me to him; I had to hunt him up alone. He
has three lodgings in which he conceals himself alternately--one
in the country, one in the city and the third on the bastion. It
was in the last that I found him in the third storey, walked in
unannounced. He was seated at the pianoforte.
He accompanied me home and on the way he said the many beautiful
things about art, speaking so loud and stopping in the street that
it took courage to listen to him. He spoke with great earnestness
and much too surprisingly not to make me forget the street.
They were greatly surprised to see him enter a large dinner
party at home with me. After dinner, without being asked, he sat
down to the instrument and played long and marvellously; there
was a simultaneous fermentation of his pride and his genius.
When he is in such a state of exaltation his spirit begets the
incomprehensible and his fingers accomplish the impossible.
In the letter to Pückler-Muskau in which Mme. von Arnim dwells more
upon the incidents of this meeting, she writes thus:
There was surprise when I entered a gathering of more than 40
people who sat at table, hand in hand with Beethoven. Without ado
he seated himself, said little (doubtless because he was deaf).
Twice he took his writing-tablet out of his pocket and made a few
marks in it. After dinner the entire company went up to the tower
of the house to look at the view; when they were gone down again
and he and I alone, he drew forth his tablet, looked at it, wrote
and elided, then said: “My song is finished.” He leaned against
the window-frame and sang it out upon the air. Then he said: “That
sounds, doesn’t it? It belongs to you if you like it, I made it
for you, you inspired it, I read it in your eyes just as it was
written.”
In the Goethe letter she continues:
Public-domain text, read in full here on John Shaqi.
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