The Life of Ludwig van Beethoven, Volume IIThayer, Alexander Wheelock
History
The Life of Ludwig van Beethoven, Volume II
Thayer, Alexander Wheelock
Beethoven, Ludwig van, 1770-1827
On the 28th of February, Beethoven sent his friend Mähler an invitation
to a concert. Mähler accepted the invitation and received a ticket
“extra-ordinaire,” signed “B^r. de Neuwirth,” admitting him free
to three midday concerts on Thursdays, February 28, March 14 and
28. Beethoven’s elasticity of temperament therefore was doing him
good service in enabling him to recover from the crushing blow of
the preceding year; he was now able not only to find diversion and
amusement in society, the theatre and the concertroom, but the spirit
of composition was again awakened. In three weeks--March 3rd to the
26th--he produced the glorious B-flat Trio, Op. 97, which had been
sketched in 1810.
There were now, or soon to be, in the hands of Breitkopf and Härtel’s
engravers the Pianoforte Concerto, Op. 73, the Fantasia, Op. 80, the
Sonate “Les Adieux,” Op. 81a, the Ariettes and Songs, Op. 82 and
83, and the “Christus am Ölberg.” The revision of these works for
the press, with the correction of the proofs and his duties to the
Archduke, are all the professional labors of Beethoven in these months
of which we find any trace. Hence, that high appreciation of his
greatness, which induced his admirers and friends even then to attach
such value to the most trivial written communications from him as to
secure their preservation, now does us excellent service; for--the
dates of the Trio excepted--his correspondence furnishes the only
materials for the history of the first half of this year. To this we
turn.
[Sidenote: THE PIANOFORTE TRIO IN B-FLAT]
There is a note, which may be dated about the end of March, apologizing
to the Archduke for his absence, on the ground of having been for two
weeks again with his “tormenting headache.” “During the festivities for
the Princess of Baden (March 5-12), and because of the sore finger of
Your Imp. Highness,” he adds, “I began to work somewhat industriously,
of which, among other things, a new Trio for the piano is a fruit.”
Soon after he sends the new Trio to the Archduke to have it copied,
“but only in your palace, as otherwise one is never safe from theft.”
He proceeds thus:
I am improving and in a few days I shall again have the honor to
wait upon you for the purpose of making up for lost time. I am
always anxiously concerned when I cannot be as zealously and as
often as I should wish with Your Imperial Highness. It is surely
true when I say that it causes me much suffering, but I am not
likely to have so bad an attack again soon. Keep me graciously
in your memory. Times will come when I shall show you two and
threefold that I am worthy of it.
Public-domain text, read in full here on John Shaqi.
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