The Life of Ludwig van Beethoven, Volume IIThayer, Alexander Wheelock
History
The Life of Ludwig van Beethoven, Volume II
Thayer, Alexander Wheelock
Beethoven, Ludwig van, 1770-1827
The rehearsal took place on Resurrection Day, April 18, as we learn
from the 48th letter in the Köchel Collection, which, together with the
preceding two (Nos. 46 and 47), belong in the year 1813, not in 1819,
as Köchel surmised. The following little note to Zmeskall refers to the
rehearsal:
Meanwhile I thank you, dear Z., and inform you that the
rehearsal will take place at the Archduke’s to-morrow afternoon
at 3 o’clock--but I shall give you the particulars to-morrow
morning--for the present I have announced it.
Your
Beethoven.
To Zmeskall he wrote on April 23:
Dear Z.: All will go well, the Archduke will take this Prince
Fitzly Putzly soundly by the ears--let me know if you intend to
eat at the inn to-day or when you do? Then tell me please whether
“Sentivant” is correctly spelled, as I want to write to him at the
same time for the chorus. I must yet consult with you about the day
to be chosen, moreover you must not let anything be observed about
the enlistment of the Archduke, for Prince Fitzly Putzly will not
come to the Archduke till Sunday, if this wicked debtor were to
observe anything in advance he would try to get out of it.
(On April 26): Lobkowitz will give me the theatre for a day after
May 15, it seems to me this is about as good as none at all--and I
am almost of a mind to give up all thoughts of a concert. He above
will surely not let me go utterly to ruin.
(On May 10): I beg of you, dear Z., not to let anything be heard
about what I said to you concerning Prince L., as the matter is
really going forward and without this step nothing would ever have
been certain. I have looked for you at the S. every day, but in
vain.
[Sidenote: PICTURES WITH MUSICAL ACCOMPANIMENT]
There follows another long letter to Varena:
My dear V!
There can be no harm in notifying you in advance of what I am
sending you; you may be able to use more or less of it. You will
receive 3 choruses which are not long and which you can use at
different intervals in the concert--a large scene for bass voice
with chorus; it is from the “Ruins of Athens” and occurs where the
picture of our Emperor appears in view (in Ofen, Hungary, this came
upon the stage from below). You may be able to use something of the
kind to--stimulate the multitude.
Public-domain text, read in full here on John Shaqi.
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