The Life of Ludwig van Beethoven, Volume IIThayer, Alexander Wheelock
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The Life of Ludwig van Beethoven, Volume II
Thayer, Alexander Wheelock
Beethoven, Ludwig van, 1770-1827
If you, worthy Count, want to take part in our consultation I
inform you that it will be held this afternoon at half after 3
o’clock in the Spielmann house on the Graben 1188 in the fourth
storey at Hr. Weinmüller’s--it would rejoice me time permitting if
you were to attend.
Entirely your
Beethoven.
The result of this conference was the selection of Nos. 6, 7 and 8 of
the “Ruins of Athens” music, viz: the “Solemn March with Chorus” and
the concluding Bass Air, sung by Weinmüller, with the choruses. The
last was exceedingly appropriate in a concert in the Redouten-Saal,
it being the number in which (as in the old Bonnian “Blick in die
Zukunft”) the bust of the monarch is made suddenly to appear. To insure
the effectiveness of this is the object of a humorous note to Zmeskall,
on New Year’s Day.
All would be well if there were but a curtain, without it the
Air will fall through. Only to-day do I learn this from S. and
it grieves me--let there be a curtain even if it be only a
bed-curtain, only a sort of screen which can be removed for the
moment, a veil, etc. There must be something, the Air is too
dramatic, too much written for the theatre, to be effective in a
concert; without a curtain or something of the sort all of its
meaning will be lost!--lost!--lost!--To the devil with everything!
The Court will probably come, Baron Schweiger asked me to go there
at once, Archduke Karl admitted me to his presence and promised to
come. The Empress did not accept nor did she decline.
Hangings!!! or the Air and I will hang to-morrow. Farewell in the
new year, I press you as warmly to my heart as in the old--with or
without curtain.
The orchestra was for the most part composed of the same professional
and amateur artists as had taken part in the two previous concerts, so
that the rehearsals were comparatively inexpensive, the only new music
being the selections from “The Ruins”; but Salieri, as director of the
cannonade, gave place to Hummel. Franz Wild, the singer, was present
and records in his “Autobiography” his reminiscences of the occasion
thus:
Public-domain text, read in full here on John Shaqi.
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