The Life of Ludwig van Beethoven, Volume IIThayer, Alexander Wheelock
History
The Life of Ludwig van Beethoven, Volume II
Thayer, Alexander Wheelock
Beethoven, Ludwig van, 1770-1827
He (Beethoven) mounted the conductor’s platform, and the orchestra,
knowing his weakness, found itself plunged into an anxious
excitement which was justified only too soon; for scarcely had the
music begun before its creator offered a bewildering spectacle.
At the ~piano~ passages he sank upon his knee, at the ~forte~ he
leaped up, so that his figure, now shrivelling to that of a dwarf,
disappeared under the desk and anon stretched up far above it like
a giant, his hands and arms working as if with the beginning of
the music a thousand lives had entered every member. At first this
happened without disturbance of the effect of the composition, for
the disappearance and appearance of his body was synchronous with
the dying away and the swelling of the music; but all at once the
genius ran ahead of his orchestra and the master disappeared at the
~forte~ passages and appeared again at the ~piano~. Now danger was
imminent and at the critical moment Chapelmaster Umlauf took the
commander’s staff and it was indicated to the orchestra that he
alone was to be obeyed. For a long time Beethoven noticed nothing
of the change; when he finally observed it, a smile came to his
lips which, if ever a one which kind fate permitted me to see could
be called so, deserved to be called “heavenly.”
[Sidenote: SUCCESS OF THE BATTLE MUSIC]
The composer had every reason to be satisfied with the result, for not
only was it pecuniarly profitable but
the applause was general and reached the highest ecstasy. Many
things had to be repeated, and there was a unanimous expression of
a desire on the part of all the hearers to hear the compositions
again and often, and to have occasion more frequently to laud and
admire our native composer for works of his brilliant invention.
So speaks the “Wiener Zeitung” on the 9th, which on the 24th of January
printed this:
NOTE OF THANKS.
I had the good fortune on the occasion of a performance of my
compositions at the concert given by me on January 2, to have
the support and help of a large number of the most admirable and
celebrated artists of the city, and to see my works brilliantly
made known by the hands of such virtuosos. Though these artists may
have felt themselves rewarded by their own zeal for art and the
pleasure which they gave the public through their talents, it is
yet my duty publicly to express to them my thanks for their mark of
friendship for me and ready support.
Ludwig van Beethoven.
Public-domain text, read in full here on John Shaqi.
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