entire audience and at once gave me a standing among the artists. Afterward, while expressing his satisfaction he added: “But all the same you are willful! If you had made a slip in the passage I would never have given you another lesson.” A little farther on in his book Ries writes (p. 115): The pianoforte part of the C minor Concerto was ~never completely written out~ in the score; Beethoven wrote it down on separate sheets of paper expressly for me. This confirms Seyfried, as quoted on a preceding page. “Not on my life would I have believed that I could be so lazy as I am here. If it is followed by an outburst of industry, something worth while may be accomplished,” Beethoven wrote at the end of his letter of July 24. He was right. His brother Johann secured for him the lodging at Döbling where he passed the rest of the summer, and where the two Sonatas Op. 53 and 54, certainly “something worth while,” were composed. In one of the long walks, previously described by Ries, in which we went so far astray that we did not get back to Döbling, where Beethoven lived, until nearly 8 o’clock, he had been all the time humming and sometimes howling, always up and down, without singing any definite notes. In answer to my question what it was he said: “A theme for the last movement of the sonata has occurred to me.” When we entered the room he ran to the pianoforte without taking off his hat. I took a seat in a corner and he soon forgot all about me. Now he stormed for at least an hour with the beautiful finale of the sonata. Finally he got up, was surprised still to see me and said: “I cannot give you a lesson to-day, I must do some more work.” [Sidenote: THE F MINOR SONATA, OP. 57] The Sonata in question was that in F minor, Op. 57. Ries had in the meantime fulfilled Beethoven’s wish for a new lodging on the ramparts, by engaging for him one on the Mölkerbastei three or four houses only from Prince Lichnowsky in the Pasqualati house--“from the fourth storey of which there was a beautiful view,” namely, over the broad Glacis, the northwestern suburb of the city and the mountains in the distance. “He moved out of this several times,” says Ries, “but always returned to it, so that, as I afterwards heard, Baron Pasqualati was good-natured enough to say: ‘The lodging will not be rented; Beethoven will come back.’” To what extent Ries was correctly informed in this we will not now conjecture. The lessons of Förster’s little boy had been interrupted so long as his teacher dwelt in the distant theatre buildings; they were now renewed, the first being particularly impressed upon his memory by a severe reproof from Beethoven for ascending the four lofty flights of stairs too rapidly, and entering out of breath: “Youngster, you will ruin your lungs if you are not more careful,” said he in substance.