The Life of Ludwig van Beethoven, Volume IIThayer, Alexander Wheelock
History
The Life of Ludwig van Beethoven, Volume II
Thayer, Alexander Wheelock
Beethoven, Ludwig van, 1770-1827
Breuning’s statement is improbable. Who were Beethoven’s enemies? Who
formed the cabal? Baron Braun, Schikaneder, Seyfried, the Stage-manager
Meier, Director Clement, the solo singers (Mlle. Milder, Weinkopf,
Röckel), were all his friends; and, for anything now known, so were
Mlle. Müller, Rothe and Caché. As to orchestra and chorus, they might
refuse to play under Beethoven as conductor--nothing more; and, as he
had already conducted four if not five times, this would create no
great difficulty, as the baton would necessarily pass into the hands
of Seyfried at the first or second subsequent performance. Moreover,
now that the opera was fairly upon the stage and making its way, it
was for the interest of all parties, from Baron Braun down to the
scene-shifters, to continue it so long as it would draw an audience.
That it was making its way is proved not only by all the contemporary
accounts, but by this: that notwithstanding the necessarily empty
houses in November, Beethoven’s percentage of the receipts finally
amounted to nearly 200 florins.
[Sidenote: THE COMPOSER IN A RAGE]
In the second of the notes to Meier, Beethoven is guilty of monstrous
injustice. A moment’s reflection shows this. The orchestra and chorus
had duly rehearsed and three times publicly performed “Fidelio” as
first written. Since then (see Jahn’s edition) most of the numbers,
perhaps every one, had been more or less changed. Now every musician
knows that it is easier to play a piece of new music correctly at
sight, than a well-known composition in which material alterations
have been made. And yet, because some forty men--playing on a dozen
different instruments, and after a single rehearsal at which the
composer was not present to explain his intentions--did not effect
the impossibility of reading the music correctly and at the same time
note all the marks of expression, Beethoven writes: “I cannot think
otherwise than that is done purposely!”
All things considered, there can be no hesitation in preferring the
testimony of the singer of ~Florestan~, to that of the Court War
Councillor.
Public-domain text, read in full here on John Shaqi.
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