When the opera was produced in the beginning of the following year (writes Röckel) it was exceedingly well received by a select public, which became more numerous and enthusiastic with each new representation; and no doubt the opera would have become a favorite if the evil genius of the composer had not prevented it, and as he, Beethoven, was paid for his work by a percentage, instead of a mere honorarium, an advantage which none enjoyed before him, it would have considerably advanced his pecuniary arrangements. Having had no theatrical experience, he was estimating the receipts of the house much higher than they really were; he believed himself cheated in his percentage, and without consulting his real friends on such a delicate point, he hastened to Baron Braun--that high-minded and honorable nobleman--and submitted his complaint. The Baron, seeing Beethoven excited and conscious of his ~one susceptibility~ (i. e., suspicious temper), did what he could to cure him of his suspicions against his employees, of whose honesty he was sure. Were there any fraud, the Baron said, his own loss would be beyond comparison more considerable than Beethoven’s. He hoped that the receipts would increase with each representation; until now, only the first ranks, stalls and pit were occupied; by and by the upper ranks would likewise contribute their shares. “I don’t write for the galleries!” exclaimed Beethoven. “No?” replied the Baron, “My dear Sir, even Mozart did not disdain to write for the galleries.” Now it was at an end. “I will not give the opera any more,” said Beethoven, “I want my score back.” Here Baron Braun rang the bell, gave orders for the delivery of the score to the composer, and the opera was buried for a long time. From this encounter between Beethoven and Baron Braun one might conclude that the former’s feelings had been injured by the comparison with Mozart; but since he revered Mozart highly, it is probable that he took offence more at the manner in which they were uttered than at the words themselves.--He now realized plainly that he had acted against his own interests, and in all probability the parties would have come to an amicable understanding through the mediation of friends if Baron Braun had not very soon after retired from the management of the united theatres, a circumstance that led to a radical change of conditions.