The Life of Ludwig van Beethoven, Volume III — John Shaqi
The Life of Ludwig van Beethoven, Volume IIIThayer, Alexander Wheelock
History
The Life of Ludwig van Beethoven, Volume III
Thayer, Alexander Wheelock
Beethoven, Ludwig van, 1770-1827
That he was able, partly by the ear and partly by the eye, to judge of
the correctness of the performance of his music, Schindler states in
the same article--a fact also known from many other sources; this was
the case even to his last year. When, after the death of Beethoven,
such of his manuscripts and papers as were thought to be salable
were set apart, there remained in the hands of von Breuning a lot of
letters, documents and Conversation Books. The estimated value in the
inventory of the manuscripts and the price obtained for them at the
auction sale, indicate how utterly worthless from a pecuniary point
of view that other collection was thought to be; as, however, they
might be of use to some future biographer, it was well to have them
preserved, and doubtless a small gratification to Schindler for his
great sacrifices and very valuable services to Beethoven in these last
months, the only one which he as guardian to the absent nephew could
make; so Breuning gave them to him. The Conversation Books, counting
in as such those which were really nothing but a sheet or two of paper
loosely folded, were only about 400 in number, or less than fifty per
annum for the last eight and a half years of Beethoven’s life--that
being the period which they cover. Schindler, who spoke on this as on
so many other topics frankly and without reserve, said that he long
preserved the books and papers intact, but not finding any person
but himself who placed any value upon them, their weight and bulk
had led him in the course of his long unsettled life by degrees to
destroy those which he deemed to be of little or no importance. The
remainder were, in 1845, transferred to the Royal Library in Berlin,
and, in 1855, when they were examined for this work, numbered 138. It
was but natural that those preserved are such as place Schindler’s
relation to the master in the strongest light and those deemed by him
essential to the full understanding of the more important events of
Beethoven’s last years. Most of them bear evidence of the deep interest
with which Schindler, while they remained in his possession, lived
over the past in them. In many cases he appended the names of the
principal writers; so that one soon learns to distinguish their hands
without difficulty; and occasionally he enriched them with valuable
annotations.[9] The larger of them--ordinary blank note-books--are
only of a size and thickness fitted to be carried in the coat-pocket.
It is obvious, therefore, on a moment’s reflection, that at a single
sitting with a few friends in an inn or coffee-house, the pages must
have filled rapidly as the book passed from hand to hand and one or
another wrote question or reply, remark or statement, a bit of news
or a piece of advice. A few such conversations, one sees, would fill
a book, all the sooner as there is no thought of economizing space
and each new sentence is usually also a new paragraph. It strikes
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