The Life of Ludwig van Beethoven, Volume IIIThayer, Alexander Wheelock
History
The Life of Ludwig van Beethoven, Volume III
Thayer, Alexander Wheelock
Beethoven, Ludwig van, 1770-1827
Holz says that when once he remarked to Beethoven that the one in
B-flat was the greatest of his Quartets the composer replied: “Each
in its way. Art demands of us that we shall not stand still. You
will find a new manner of voice treatment (part writing) and, thank
God! there _is less lack of fancy than ever before_.” Afterward he
declared the C-sharp minor Quartet to be his greatest. The first form
of the fugue-theme in this work, as has been noted, was written down
in a Conversation Book in the last days of December, 1825. The theme
of the variations, in a form afterwards altered, was also noted amid
the records of conversations before the end of January, 1826. It is
likely that a goodly portion of the work was written within a month and
ready for the copyist, for Schuppanzigh once in January suggests that
something from the work in hand be tried. Whether or not it was ever
played in the lifetime of the composer can not be said with certainty.
Schindler says positively that it was not. It was ready for the
publisher in July and Schott and Sons, who had bought it for 80 ducats
payable in two installments, sent the drafts early to accommodate
Beethoven, who spoke of being on the eve of a short journey--of which
nothing is known save that he did not make it. The score was turned
over to Schott’s agent in Vienna on August 7. On the copy Beethoven
had written “Put together from pilferings from one thing and another”
(_Zusammengestohlen aus Verschiedenem diesem und Jenem_). This alarmed
the publishers, who wrote to Beethoven about it and in reply received
a letter stating: “You wrote me that the quartet must be an original
one. As a joke I wrote on the copy ‘Put together, etc....’; but it is
brand new.” It was published by Schott and Sons very shortly after
Beethoven’s death in April, 1827, under the opus number 129. Beethoven
originally intended to dedicate it to Wolfmayer but out of gratitude to
Baron von Stutterheim, Lieutenant Fieldmarshal, who had made a place
for Nephew Karl in his regiment, placed his name upon the title-page.
[Sidenote: PRINCE GALITZIN AND HIS QUARTETS]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account