[19] There is a vagueness in this passage, and especially in the words which precede it, which has exercised the minds of Köchel, Nohl and Deiters; but it is the opinion of the English Editor that the meaning has been reproduced in the above translation. As the reader may, however, wish to form his own opinion in the matter, which is certainly most interesting, the context is given in the original and what might be described as an expository rendering into English: _Ich war in Wien, um aus der Bibliothek I. K. H. das mir Tauglichste auszusuchen. Die Hauptabsicht ist das geschwinde Treffen und mit der bessern Kunst-Vereinigung, wobei aber practische Absichten Ausnahmen machen, wofür die Alten zwar doppelt dienen, indem meistens reeller Kunstwerth (Genie hat doch nur der deutsche Händel und Seb. Bach gehabt) allein Freiheit, etc._, that is: “I was in Vienna to seek out some things best suited to my purpose. What is chiefly needed is a quick recognition of the essential coupled with a better union of the arts [i. e., poetry and music] in respect of which practical considerations sometimes compel an exception, as we may learn in a twofold way from the old composers, where we find chiefly stress laid upon the artistically valuable (among them only the German Handel and Seb. Bach had genius) but freedom, etc.” Beethoven, presumably, was following the injunction noted in the _Tagebuch_ and, for the purposes of the work which then engrossed him, was consulting authorities on ecclesiastical music. That his mind was full of his Mass is indicated by the somewhat irrelevant quotation from the text of the _Credo_. Was he not essaying a union between the technical perfection of the old masters and a more truthful, or literal, illustration of the missal text, wherefor freedom was necessary? [20] The picture is now preserved among the rest of the relics which Schindler deposited in Berlin. [21] See Kalischer-Shedlock, II, p. 151. [22] “Hol Euch der Teufel! B’hüt Euch Gott!” [23] Marx published it for the first time in _facsimile_ in the appendix of Vol. II of his biography of Beethoven. In the Collected Works it appears on page 275, Series 25. Chapter II The Years 1820 and 1821--End of the Guardianship Litigation--A Costly Victory--E. T. A. Hoffmann--Financial Troubles--Adagios and English Hymn-tunes--Arrested as a Vagrant--Negotiations for the Mass in D--The Last Pianoforte Sonatas. [Sidenote: DEPARTURE OF OLD FRIENDS]