The Life of Man: A Play in Five ActsAndreyev, Leonid
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The Life of Man: A Play in Five Acts
Andreyev, Leonid
Andreyev, Leonid, 1871-1919 -- Translations into English; Russia -- Drama; Russian drama -- Translations into English
How delightful it all is!
How splendid!
How luxurious!
[_And so on, as before._]
But I see a movement at that door. Probably the Man and his Wife are
making their entry into the _salon_.
See how the musicians are redoubling their efforts!
There they come! There they come!
Yes, there they come! There they come!
[_The Man and his Wife appear at a low door on the right, accompanied by
the Man's Friends and Enemies. They cross the salon obliquely to a door
on the left, walking in solemn procession, and causing the dancers to
divide and leave a clear space for them. The musicians play more loudly,
and more extravagantly out of tune, than ever._
[_The Man looks much older than he did in Act II, and a sprinkling of
grey is noticeable in his long hair and beard. Yet his face is still
handsome and vigorous. He walks with a sort of calm dignity and
aloofness, and gazes straight in front of him, as though he were not
aware of the presence of the surrounding company. His Wife, too, looks
older, but still beautiful, as she leans upon his arm. Like her husband,
she seems to see none of the surrounding company, but gazes in front of
her with a strange, half-apprehensive expression. They are both of them
magnificently dressed._
[_Behind the Man and his Wife come the Man's Friends. The latter
are uniformly like one another, with aristocratic faces, high, open
foreheads, and candid eyes. They move with dignity--expanding their
chests, setting down their feet with firmness and assurance, and gazing
from side to side with faintly condescending smiles. They wear white
buttonholes._
[_Following them at a respectful distance come the Man's Enemies. These
also bear a strong general resemblance to one another--their faces
being vicious and cunning, their brows low and beetling, and their
hands slender and apelike. They move as though ill at ease--jostling
one another, hunching their shoulders, hiding behind one another, and
throwing sharp, mean, envious glances about them. They wear yellow
buttonholes._
[_In this manner the procession moves slowly across the salon, without
a word being spoken by any one of its members. The sound of their
footsteps, combined with the strains of the musicians and the
acclamations of the guests, gives rise to a sort of confused, discordant
din._
~Acclamations of the Guests.~~
There they are! There they are! What an honour for us!
How handsome he is!
What a manly face!
Look, look!
Yet he does not deign us even a glance!
No; although we are his guests!
He has not so much as seen us!
No matter. This is a great honour for us. And there is his Wife! Look,
look!
How lovely she is!
But how proud!
Look at her diamonds, her diamonds!
Her diamonds, her diamonds!
And her pearls, her pearls!
And her rubies, her rubies!
How splendid! We are indeed honoured!
Yes, are we not? What an honour, what an honour!
[_And so on, and so on._]
And there come the Man's Friends!
Look, look!
What aristocratic faces!
Public-domain text, read in full here on John Shaqi.
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