The Life of Man: A Play in Five ActsAndreyev, Leonid
General
The Life of Man: A Play in Five Acts
Andreyev, Leonid
Andreyev, Leonid, 1871-1919 -- Translations into English; Russia -- Drama; Russian drama -- Translations into English
[_The scene is a large, low hall or cellar, to which there are neither
doors nor windows, but which is entered by a ladder leading down from
a trapdoor in the ceiling. The walls are bare of ornamentation, and so
thickly encrusted with dirt that almost they seem to be covered with
leather made out of the hide of some gigantic wild beast. Along the back
wall runs a rudely constructed drinking-bar, containing rows of bottles
filled with variously-coloured liquids; and in front of this bar the
proprietor of the den is seated on a low stool, with his hands clasped
over his stomach. His face is pale, save for a pair of brilliantly red
cheeks, and his head bald, while his neck and chin are covered with a
large tawny beard. His whole expression denotes absolute lethargy and
indifference, and he retains this attitude unchanged throughout the
entire Act--never at any time making the least modification in his
posture._
[_At a number of small tables persons of both sexes are seated
drinking--the apparent number of these individuals being increased by
the fantastic shadows which dart hither and thither over the walls and
ceiling of the room. All have faces both horrible and repulsive, but
in such infinite variety of ugliness that they resemble, rather, an
assortment of hideous masks. Likewise, the majority of them have one or
more features either grotesquely exaggerated or wholly absent, such, for
instance, as a gigantic nose or no nose at all, eyes wildly protruding
or shrunk to imperceptible slits, a throat horribly goitred or a chin
receding to the point of deformity. Also, most of them have coarse,
matted hair which covers the greater portion of their faces. Yet,
despite this bizarre variety of feature, there is a marked similarity in
the general appearance of these creatures--a similarity which finds its
most distinctive characteristic in the greenish, corpselike hue with
which their faces are overlaid, no matter whether the face be rudely
jocular or convulsed with semi-maniacal fear and horror. As for the
bodies of the drunkards, they are clad in the most miserable of rags, of
a uniformly dull, monotonous colour, and disclosing here a livid, bony
hand or knee, and there a deformed or concave chest. Indeed, some of the
wretches are almost naked, whilst the Women are indistinguishable from
the men, save for the fact that they are, if anything, the more uncouth.
Men and women alike have tremulous hands and heads, and whenever a
drunkard rises to walk about, he or she moves as though treading upon
an exceedingly slippery, uneven, or unstable surface. Finally, the same
timbre of voice--a sort of harsh and grating croak--is common to all,
and they mouth their words as haltingly as they walk, with lips which
seem frozen._
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account