The labor was long, and had nearly proved fatal to the mother, from the strange and senseless custom which made the queen's bed-chamber on such an occasion a reception-room for every one, of whatever rank or station, who could force his way in.[1] In most countries, perhaps in all, the genuineness of a royal infant is assured by the presence of a few great officers of state; but on this occasion not only all the ministers, with all the members of the king's or of the queen's household, were present in the chamber, but a promiscuous rabble filled the adjacent saloon and gallery, and, the moment that it was announced that the birth was about to take place, rushed in disorderly tumult into the apartment, some climbing on the chairs and sofas, and even on the tables and wardrobes, to obtain a better sight of the patient. The uproar was great. The heat became intense; the queen fainted. The king himself dashed at the windows, which were firmly closed, and by an unusual effort of strength tore down the fastenings and admitted air into the room. The crowd was driven out, but Marie Antoinette continued insensible; and the moment was so critical that the physician had recourse to his lancet, and opened a vein in her foot. As the blood came she revived. The king himself came to her side, and announced to her that she was the mother of a daughter. It can hardly be said that the hopes of the nation, or of the king himself, had been fully realized, since an heir to the throne, a dauphin, that had been universally hoped for. But in the general joy that was felt at the queen's safety the disappointment of this hope was disregarded, and the little princess, Madame Royale, as she was called from her birth, was received by the still loyal people in the same spirit as that in which Anne Boleyn's lady in waiting had announced to Henry VIII. the birth of her "fair young maid:" "_King Henry_. Now by thy looks I guess thy message. Is the queen delivered? Say ay; and of a boy. "_Lady_. Ay, ay, my liege, And of a lovely boy. The God of Heaven Both now and ever bless her. 'Tis a girl, Promises boys hereafter." And a month before the empress had expressed a similar sentiment: "I trust," she wrote to her daughter in November, "that God will grant me the comfort of knowing that you are safely delivered. Every thing else is a matter of indifference. Boys will come after girls.[2]" And the same feeling was shared by the Parisians in general, and embodied by M. Imbert, a courtly poet, whose odes were greatly in vogue in the fashionable circles, in an epigram which was set to music and sung in the theatres. "Pour toi, France, un dauphin doit naître, Une Princesse vient pour en être témoin, Sitôt qu'on voit une grâce paraître, Croyez que l'amour n'est pas loin.[3]"