At the conclusion of the mass the King of Navarre rejoined his bride, and taking her hand, conducted her to the episcopal palace, where, according to an ancient custom, the marriage-banquet awaited them.[6] The square of the Parvis Notre-Dame was crowded with eager spectators, and the heart of the Queen-mother beat high with exultation as she glanced at the retinue of the bridegroom, and recognised in his suite all the Huguenot leaders who had hitherto refused to pass the gates of the capital. Save her own, however, all eyes were rivetted upon Marguerite; and many were the devout Catholics who murmured beneath their breath at the policy which had determined the monarch to bestow a Princess of such beauty and genius upon a heretic. In truth, nothing could be more regal or more dazzling than the appearance of the youthful bride, who wore, as Queen of Navarre, a richly-jewelled crown, beneath which her long and luxuriant dark hair fell in waving masses over an ermine cape (or _couet_) clasped from the throat to the waist with large diamonds; while her voluminous train of violet-coloured velvet, three ells in length, was borne by four princesses.[7] And thus in royal state she moved along, surrounded and followed by all the nobility and chivalry of France, amid the acclamations of an admiring and excited people, having just pledged herself to one whose feelings were as little interested in the compact as her own. The bridal festivities lasted throughout three entire days; and never had such an excess of luxury and magnificence been displayed at the French Court. Towards the Protestants, the bearing both of Charles IX and his mother was so courteous, frank, and conciliating, that the most distrustful gradually threw off their misgivings, and vied with the Catholic nobles both in gallantry and splendour; and meanwhile Catherine, the King, the Duc d'Anjou, and the Guises were busied in organizing the frightful tragedy of St. Bartholomew! The young Queen of Navarre had scrupulously been left in ignorance of a plot which involved the life of her bridegroom as well as those of his co-religionists; nor was she aware of the catastrophe which had been organised until Paris was already one vast shambles. Startled from her sleep at the dead of night, and hurriedly informed of the nature of the frightful cries that had broken her rest, she at once sprang from her bed, and throwing on a mantle, forced her way to the closet of her royal brother, where, sinking on her knees, she earnestly implored the lives of Henry's Protestant attendants; but for a time Charles was obdurate; nor was it until after he had reluctantly yielded to her prayers that she recognised, with an involuntary cry of joy, the figure of her husband, who stood in the deep bay of a window with his cousin, M. de Condé.[8]