The Life of Michelangelo BuonarrotiSymonds, John Addington
History
The Life of Michelangelo Buonarroti
Symonds, John Addington
Michelangelo Buonarroti, 1475-1564
These pupils of the Urbinate claimed now, on their master's death, and
claimed with good reason, the right to carry on his great work in the
Borgian apartments of the Vatican. The Sala de' Pontefici, or the Hall
of Constantine, as it is sometimes called, remained to be painted.
They possessed designs bequeathed by Raffaello for its decoration, and
Leo, very rightly, decided to leave it in their hands. Sebastiano del
Piombo, however, made a vigorous effort to obtain the work for
himself. His Raising of Lazarus, executed in avowed competition with
the Transfiguration, had brought him into the first rank of Roman
painters. It was seen what the man, with Michelangelo to back him up,
could do. We cannot properly appreciate this picture in its present
state. The glory of the colouring has passed away; and it was
precisely here that Sebastiano may have surpassed Raffaello, as he was
certainly superior to the school. Sebastiano wrote letter after letter
to Michelangelo in Florence. He first mentions Raffaello's death,
"whom may God forgive;" then says that the _"garzoni"_ of the Urbinate
are beginning to paint in oil upon the walls of the Sala de'
Pontefici. "I pray you to remember me, and to recommend me to the
Cardinal, and if I am the man to undertake the job, I should like you
to set me to work at it; for I shall not disgrace you, as indeed I
think I have not done already. I took my picture (the Lazarus) once
more to the Vatican, and placed it beside Raffaello's (the
Transfiguration), and I came without shame out of the comparison." In
answer, apparently, to this first letter on the subject, Michelangelo
wrote a humorous recommendation of his friend and gossip to the
Cardinal Bernardo Dovizi da Bibbiena. It runs thus: "I beg your most
reverend Lordship, not as a friend or servant, for I am not worthy to
be either, but as a low fellow, poor and brainless, that you will
cause Sebastian, the Venetian painter, now that Rafael is dead, to
have some share in the works, at the Palace. If it should seem to your
Lordship that kind offices are thrown away upon a man like me, I might
suggest that on some rare occasions a certain sweetness may be found
in being kind even to fools, as onions taste well, for a change of
food, to one who is tired of capons. You oblige men of mark every day.
I beg your Lordship to try what obliging me is like. The obligation
will be a very great one, and Sebastian is a worthy man. If, then,
your kind offers are thrown away on me, they will not be so on
Sebastian, for I am certain he will prove a credit to your Lordship."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account