The Life of Samuel Taylor Coleridge: 1838Gillman, James
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The Life of Samuel Taylor Coleridge: 1838
Gillman, James
Coleridge, Samuel Taylor, 1772-1834; Critics -- Great Britain -- Biography; Poets, English -- 19th century -- Biography
The necessary dependence of taste on moral impulses and habits; and
the nature of taste (relatively to judgment in general and to genius)
defined, illustrated and applied. Under this head I comprise the
substance of the Lectures given, and intended to have been given, at
the Royal Institution, on the distinguished English Poets, in
illustration of the general principles of Poetry, together with
suggestions concerning the affinity of the Fine Arts to each other,
and the principles common to them all: Architecture; Gardening; Dress;
Music; Painting; Poetry.
The opening out of new objects of just admiration in our own language,
and information of the present state and past history of Swedish,
Danish, German and Italian literature, (to which, but as supplied by a
friend, I may add the Spanish, Portuguese and French,) as far as the
same has not been already given to English readers, or is not to be
found in common French authors.
Characters met with in real life; anecdotes and results of my life and
travels, &c. &c. as far as they are illustrative of general moral
laws, and have no immediate leaning on personal or immediate politics.
Education in its widest sense, private and national sources of
consolation to the afflicted in misfortune or disease, or dejection of
mind from the exertion and right application of the reason, the
imagination, and the moral sense; and new sources of enjoyment opened
out, or an attempt (as an illustrious friend once expressed the
thought to me) to add sunshine to daylight, by making the happy more
happy. In the words 'dejection of mind,' I refer particularly to doubt
or disbelief of the moral government of the world, and the grounds and
arguments for the religious hopes of human nature."
The first number, printed on stamped paper, was dated June 8th, 1809. He
commences this work with the following motto:
"Whenever we improve, it is right to leave room for a further
improvement. It is right to consider, to look about us, to examine the
effect of what we have done. Then we can proceed with confidence,
because we can proceed with intelligence. Whereas, in hot
reformations, is what men more zealous than considerate, call 'making
clear work', the whole is generally so crude, so harsh, so indigested;
mixed with so much imprudence and so much injustice; so contrary to
the whole course of human nature and human institutions, that the very
people who are most eager for it, are among the first to grow
disgusted at what they have done. Then some part of the abdicated
grievance is recalled from its exile in order to become a corrective
of the correction.
Public-domain text, read in full here on John Shaqi.
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