The Life of Samuel Taylor Coleridge: 1838Gillman, James
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The Life of Samuel Taylor Coleridge: 1838
Gillman, James
Coleridge, Samuel Taylor, 1772-1834; Critics -- Great Britain -- Biography; Poets, English -- 19th century -- Biography
This was for him a golden rule, and which, when he read the
philosophical works of others, he applied most carefully to himself. If
an unlearned individual takes up a book, and, on opening it, finds by
certain characters that it is a book on Algebra, he modestly puts, it
down with perhaps an equally modest observation. "I never learned the
Mathematics, and am ignorant of them: they are not suited to my taste,
and I do not require them." But if perchance, he should take up a
philosophical work, this modesty is not exercised: though he does not
comprehend it, he will not acknowledge the fact; he is piqued however,
and not satisfied with a mere slighting observation, but often ends, as
disappointed vanity usually does, in shallow abuse. The political, the
critical, the philosophical views of Coleridge, were all grand, and from
his philosophical views he never deviated; all fluctuating opinions
rolled by him, not indeed unheeded, but observed with sympathy and with
regret, when not founded on those permanent principles which were to
benefit and give good government to man.
Coleridge, it is well known, was no adept in matters of business, and so
little skilled in ephemeral literature as not to be able to profit by
any weekly publication. The first edition of The Friend was published
weekly, on paper with the government stamp, and that reached, as before
related, its twenty-seventh number.
Such a work was not suited to his genius: in fact, no periodical which
required rapid writing on slight amusing subjects, with punctuality in
publication, which demanded steadiness of health, and the absence of
those sedative causes arising, in part, from his benevolent heart and
sensitive nature, ever would have suited him. To write like a
novelist--to charm ennui--is that which is required of a modern author
who expects pecuniary recompense. Although he needed such recompense,
the character of his genius unfitted him for the attainment of it; and
had he continued the work, the expenditure would have ended in still
greater pecuniary loss. One of his last political essays is that taken
from the Morning Post, of March 19, 1800, on the character of Pitt. [12]
These Essays were soon forgotten, though this, at the time, was much
read and admired as part of the history of the man and his political
feelings. It was the effect which Buonaparte believed to have been
produced by these on the public mind that tempted him to try to
incarcerate Coleridge. Some time after, Otto, the French ambassador at
our Court, was ready with a bribe, in the hope to obtain from Coleridge
a complimentary essay to his sovereign. The offer of the bribe would
have deterred him from writing any more on the subject. Had he been
willing to sell himself--to write a flattering character of the great
hero--to raise that hero in the estimation of Europe, he would have been
amply recompensed.
In his 'Biographia Literaria,' he says,
Public-domain text, read in full here on John Shaqi.
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