We enter the room, candle in hand. What we see is unforgetable. With a
soft flick-flack the great Moths fly around the bell-jar, alight, set
off again, come back, fly up to the ceiling and down. They rush at the
candle, putting it out with a stroke of their wings; they descend on
our shoulders, clinging to our clothes, grazing our faces. The scene
suggests a wizard’s cave, with its whirl of Bats. Little Paul holds my
hand tighter than usual, to keep up his courage.
How many of them are there? About a score. Add to these the number that
have strayed into the kitchen, the nursery and the other rooms of the
house; and the total of those who have arrived from the outside cannot
fall far short of forty. As I said, it was a memorable evening, this
Great Peacock evening. Coming from every direction and apprised I know
not how, here are forty lovers eager to pay their respects to the
marriageable bride born that morning amid the mysteries of my study.
For the moment let us disturb the swarm of wooers no further. The flame
of the candle is a danger to the visitors, who fling themselves into it
madly and singe their wings. We will resume the observation tomorrow
with an experimental interrogatory thought out beforehand.
But first let us clear the ground and speak of what happens every night
during the week that my observation lasts. Each time it is pitch dark,
between eight and ten o’clock, when the Moths arrive one by one. It is
stormy weather, the sky is very much overcast and the darkness is so
profound that even in the open air, in the garden, far from the shadow
of the trees, it is hardly possible to see one’s hand before one’s
face.
In addition to this darkness there is the difficulty of access. The
house is hidden by tall plane-trees; it is approached by a walk thickly
bordered with lilac- and rose-trees, forming a sort of outer vestibule;
it is protected against the mistral by clumps of pines and screens of
cypresses. Clusters of bushy shrubs make a rampart a few steps away
from the door. It is through this tangle of branches, in complete
darkness, that the Great Peacock has to tack about to reach the object
of his pilgrimage.
Under such conditions, the Brown Owl would not dare leave the hole in
his olive-tree. The Moth, better-endowed with his faceted optical
organs than the night-bird with its great eyes, goes forward without
hesitating and passes through without knocking against things. He
directs his tortuous flight so skilfully that, despite the obstacles
overcome, he arrives in a state of perfect freshness, with his big
wings intact, with not a scratch upon him. The darkness is light enough
for him.
Even if we grant that it perceives certain rays unknown to common
retinæ, this extraordinary power of sight cannot be what warns the Moth
from afar and brings him hurrying to the spot. The distance and the
screens interposed make this quite impossible.
Public-domain text, read in full here on John Shaqi.
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