A sound which is invariably the same, however often multiplied, does
not constitute a harmony. We need dissimilarities, sounds loud and
soft, deep and shrill; we need even discords which, by their harshness,
throw into relief the sweetness of the chords. In the same way, human
societies are harmonious only with the aid of contraries. If the dreams
of our levellers could be realized, we should sink to the monotony of
the caterpillar societies; art, science, progress and the lofty flights
of the imagination would slumber indefinitely in the dead calm of
mediocrity.
Besides, if this general levelling were effected, we should still be
very far from communism. To achieve that, we should have to do away
with the family, as the caterpillars and Plato teach us; we should need
abundance of food obtained without any effort. So long as a mouthful of
bread is difficult to acquire, demanding an industry and labour of
which we are not all equally capable, so long as the family remains the
sacred reason for our foresight, so long will the generous theory of
all for each and each for all be absolutely impracticable.
And then should we gain by abolishing the struggle for the daily bread
of ourselves and those dependent on us? It is very doubtful. We should
be getting rid of this world’s two great joys, work and the family, the
only joys that give any value to life; we should be stifling exactly
that which makes our greatness. And the result of this bestial
sacrilege would be a community of human caterpillars. Thus does the
Pine Processionary teach us by his example.
CHAPTER III
THE PINE PROCESSIONARY: THE PROCESSION
Drover Dingdong’s Sheep followed the Ram which Panurge had maliciously
thrown overboard and leapt nimbly into the sea, one after the other,
“for you know,” says Rabelais, “it is the nature of the sheep always to
follow the first, wheresoever it goes; which makes Aristotle mark them
for the most silly and foolish animals in the world.” [13]
The Pine Caterpillar is even more sheep-like, not from foolishness, but
from necessity: where the first goes all the others go, in a regular
string, with not an empty space between them.
They proceed in single file, in a continuous row, each touching with
its head the rear of the one in front of it. The complex twists and
turns described in his vagaries by the caterpillar leading the van are
scrupulously described by all the others. No Greek theoria winding its
way to the Eleusinian festivals was ever more orderly. Hence the name
of Processionary given to the gnawer of the pine.
Public-domain text, read in full here on John Shaqi.
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