I hasten to place in a glass tube the few cases in which the mysterious
events have happened. Some days later, the recluse comes out of the
sheath and shows herself in all her wretchedness. Call that little
fright a Moth! One cannot easily get used to the idea of such poverty.
The caterpillar of the start was no humbler-looking. There are no
wings, none at all; no silky fur either. At the tip of the abdomen, a
round, tufty pad, a crown of dirty-white velvet; on each segment, in
the middle of the back, a large rectangular dark patch: these are the
sole attempts at ornament. The mother Psyche renounces all the beauty
which her name of Moth promised.
From the centre of the hairy coronet a long ovipositor stands out,
consisting of two parts, one stiff, forming the base of the implement,
the other soft and flexible, sheathed in the first just as a telescope
fits in its tube. The laying mother bends herself into a hook, grips
the lower end of her case with her six feet and drives her probe into
the back-window, a window which serves manifold purposes, allowing of
the consummation of the clandestine marriage, the emergence of the
fertilized bride, the installation of the eggs and, lastly, the exodus
of the young family.
There, at the free end of her case, the mother remains for a long time,
bowed and motionless. What can she be doing in this contemplative
attitude? She is lodging her eggs in the house which she has just left;
she is bequeathing the maternal cottage to her heirs. Some thirty hours
pass and the ovipositor is at last withdrawn. The laying is finished.
A little wadding, supplied by the coronet on the hind-quarters, closes
the door and allays the dangers of invasion. The fond mother makes a
barricade for her brood of the sole ornament which, in her extreme
indigence, she possesses. Better still, she makes a rampart of her
body. Bracing herself convulsively on the threshold of her home, she
dies there, dries up there, devoted to her family even after death. It
needs an accident, a breath of air, to make her fall from her post.
Let us now open the case. It contains the chrysalid wrapper, intact
except for the front breach through which the Psyche emerged. The male,
because of his wings and his plumes, very cumbersome articles when he
is about to make his way through the narrow pass, takes advantage of
his chrysalis state to make a start for the door and come out half-way.
Then, bursting his amber tunic, the delicate Moth finds an open space,
where flight is possible, right in front of him. The mother, unprovided
with wings and plumes, is not compelled to observe any such
precautions. Her cylindrical form, bare and differing but little from
that of the caterpillar, allows her to crawl, to slip into the narrow
passage and to come forth without obstacle. Her cast chrysalid skin is,
therefore, left right at the back of the case, well covered by the
thatched roof.
Public-domain text, read in full here on John Shaqi.
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