In order to see man, Micromégas cut himself a lens out of a diamond of
his necklace; he held his breath lest the storm from his nostrils
should blow the mite away. I in my turn will be the good giant, newly
arriving from Sirius; I screw a magnifying-glass into my eye and am
careful not to breathe for fear of overturning and sweeping out of
existence my cotton-workers. If I need one of them, to focus him under
a stronger glass, I lime him as it were, seizing him with the fine
point of a needle which I have passed over my lips. Taken away from his
work, the tiny caterpillar struggles at the end of the needle, shrivels
up, makes himself, small as he is, still smaller; he strives to
withdraw as far as possible into his clothing, which as yet is
incomplete, the merest flannel vest or even a narrow scarf, covering
nothing but the top of his shoulders. Let us leave him to complete his
coat. I give a puff; and the creature is swallowed up in the crater of
the egg-cup.
And this speck is alive. It is industrious; it is versed in the art of
blanket-making. An orphan, born that moment, it knows how to cut itself
out of its dead mother’s old clothes the wherewithal to clothe itself
in its turn. Soon it will become a carpenter, an assembler of timber,
to make a defensive covering for its delicate fabric. What must
instinct be, to be capable of awakening such industries in an atom!
It is at the end of June also that I obtain, in his adult shape, the
Psyche whose scabbard is continued underneath by a long, naked
vestibule. Most of the cases are fastened by a silk pad to the
trelliswork of the cage and hang vertically, like stalactites. Some few
of them have never left the ground. Half immersed in the sand, they
stand erect, with their rear in the air and their fore-part buried and
firmly anchored to the side of the pan by means of a silky paste.
This inverted position excludes any idea of weight as a guide in the
caterpillar’s preparations. An adept at turning round in his cabin, he
is careful, before he sinks into the immobility of pupadom, to turn his
head now upwards, now downwards, towards the opening, so that the adult
insect, which is much less free than the larva in its movements, may
reach the outside without obstacle.
Moreover, it is the pupa itself, the unbending chrysalis, incapable of
turning and obliged to move all in one piece, which, stubbornly
crawling, carries the male to the threshold of the case. It emerges
half way at the end of the uncovered silky vestibule and there breaks,
obstructing the opening with its slough as it does so. For a time the
Moth stands still on the roof of the cottage, allowing his humours to
evaporate, his wings to spread and gather strength; then at last the
gallant takes flight, in search of her for whose sake he has made
himself so spruce.
Public-domain text, read in full here on John Shaqi.
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