He wears a costume of deepest black, all except the edges of the wings,
which, having no scales, remain diaphanous. His antennæ, likewise
black, are wide and graceful plumes. Were they on a larger scale, they
would throw the feathered beauty of the Marabou and Ostrich into the
shade. The bravely beplumed one visits case after case in his tortuous
flight, prying into the secrets of those alcoves. If things go as he
wishes, he settles, with a quick flutter of his wings, on the extremity
of the denuded vestibule. Comes the wedding, as discreet as that of the
smaller Psyche. Here is yet another who does not see or at most catches
a fleeting glimpse of her for whose sake he has donned Marabou-feathers
and a black-velvet cloak.
The recluse on her side is equally impatient. The lovers are
short-lived; they die in my cages within three or four days, so that,
for long intervals, until the hatching of some late-comer, the female
population is short of suitors. So, when the morning sun, already hot,
strikes the cage, a very singular spectacle is repeated many times
before my eyes. The entrance to the vestibule swells imperceptibly,
opens and emits a mass of infinitely delicate down. A Spider’s web,
carded and made into wadding, would give nothing of such gossamer
fineness. It is a vaporous cloud. Then, from out of this incomparable
eiderdown, appear the head and fore-part of a very different sort of
caterpillar from the original collector of straws.
It is the mistress of the house, the marriageable Moth, who, feeling
her hour about to come and failing to receive the expected visit,
herself makes the advances and goes, as far as she can, to meet her
plumed swain. He does not come hastening up and for good reason: there
is not a male left in the establishment. For two or three hours the
poor forsaken one leans, without moving, from her window. Then, tired
of waiting, very gently she goes indoors again, backwards, and returns
to her cell.
Next day, the day after and later still, as long as her strength
permits, she reappears on her balcony, always in the morning, in the
soft rays of a warm sun and always on a sofa of that incomparable down,
which disperses and turns to vapour if I merely fan it with my hand.
Again no one comes. For the last time the disappointed Moth goes back
to her boudoir, never to leave it again. She dies in it, dries up, a
useless thing. I hold my bell-jars responsible for this crime against
motherhood. In the open fields, without a doubt, sooner or later wooers
would have appeared, coming from the four winds.
Public-domain text, read in full here on John Shaqi.
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