To go from one end to the other of a box two inches long and filled
with fine sand, the living sausage takes nearly an hour. It is by
crawling like this that it moves about in its case, when it comes to
the threshold to meet its visitor and goes in again.
For three or four days, exposed to the roughness of the soil, the
oviferous bag leads a wretched life, creeping about at random, or, more
often, standing still. No Moth pays attention to the poor thing, who
possesses no attractions outside her home; the lovers pass by with an
indifferent air. This coolness is logical enough. Why should she become
a mother, if her family is to be abandoned to the inclemencies of the
public way? And so, after falling by accident from her case, which
would have been the cradle of the youngsters, the wanderer withers in a
few days and dies childless.
The fertilized ones—and these are the more numerous—the prudent ones
who have saved themselves from a fall by being less lavish with their
appearances at the window, reenter the sheath and do not show
themselves again once the Moth’s visit to the threshold is over. Let us
wait a fortnight and then open the case lengthwise with our scissors.
At the end, in the widest part, opposite the vestibule, is the slough
of the chrysalis, a long, fragile, amber-coloured sack, open at the end
that contains the head, the end facing the exit-passage. In this sack,
which she fills like a mould, lies the mother, the egg-bladder, now
giving no sign of life.
From this amber sheath, which presents all the usual characteristics of
a chrysalis, the adult Psyche emerged, in the guise of a shapeless
Moth, looking like a big maggot; at the present time, she has slipped
back into her old jacket, moulding herself into it in such a way that
it becomes difficult to separate the container from the contents. One
would take the whole thing for a single body.
It seems very likely that this cast skin, which occupies the best place
in the home, formed the Psyche’s refuge when, weary of waiting on the
threshold of her hall, she retired to the back room. She has therefore
gone in and out repeatedly. This constant going and coming, this
continual rubbing against the sides of a narrow corridor, just wide
enough for her to pass through, ended by stripping her of her down. She
had a fleece to start with, a very light and scanty fleece, it is true,
but still a vestige of the costume which Moths are wont to wear. This
fluff she has lost. What has she done with it?
The Eider robs herself of her down to make a luxurious bed for her
brood; the new-born Rabbits lie on a mattress which their mother cards
for them with the softest part of her fur, shorn from the belly and
neck, wherever the shears of her front teeth can reach it. This fond
tenderness is shared by the Psyche, as you will see.
Public-domain text, read in full here on John Shaqi.
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