The said bell-jars have an even more pitiful catastrophe on their
conscience. Sometimes, leaning too far from her window, miscalculating
the balance between the front of the body, which is at liberty, and the
back, which remains sheathed in its case, the Moth allows herself to
drop to the ground. It is all up now with the fallen one and her
lineage. Still, there is one good thing about it. Accidents such as
this lay bare the mother Psyche, without our having to break into her
house.
What a miserable creature she is, a great deal uglier than the original
caterpillar! Here transfiguration spells disfigurement, progress means
retrogression. What we have before our eyes is a wrinkled satchel, an
earthy-yellow sausage; and this horror, worse than a maggot, is a Moth
in the full bloom of life, a genuine adult Moth. She is the betrothed
of the elegant black Bombyx, all plumed with Marabou-feathers, and
represents to him the last word in beauty. As the proverb says, beauty
lies in lovers’ eyes: a profound truth which the Psyche confirms in
striking fashion.
Let us describe the ugly little sausage. A very small head, a paltry
globule, disappearing almost entirely in the folds of the first
segment. What need is there of cranium and brains for a germ-bag! And
so the tiny creature almost does without them, reduces them to the
simplest expression. Nevertheless, there are two black ocular specks.
Do these vestigial eyes see their way about? Not very clearly, we may
be sure. The pleasures of light must be very small for this
stay-at-home, who appears at her window only on rare occasions, when
the male Moth is late in arriving.
The legs are well-shaped, but so short and weak that they are of no use
at all for locomotion. The whole body is a pale yellow, semitransparent
in front, opaque and stuffed with eggs behind. Underneath the first
segments is a sort of neck-band, that is to say, a dark stain, the
vestige of a crop showing through the skin. A pad of short down ends
the oviferous part at the back. It is all that remains of a fleece, of
a thin velvet which the insect rubs off as it moves backwards and
forwards in its narrow lodging. This forms the flaky mass which whitens
the trysting-window at the wedding-time and also lines the inside of
the sheath with down. In short, the creature is little more than a bag
swollen with eggs for the best part of its length. I know nothing lower
in the scale of wretchedness.
The germ-bag moves, but not, of course, with those vestiges of legs
which form too short and feeble supports; it gets about in a way that
allows it to progress on its back, belly or side indifferently. A
groove is hollowed out at the hinder end of the bag, a deep, dividing
groove which cuts the insect into two. It runs to the front part,
spreading like a wave, and gently and slowly reaches the head. This
undulation constitutes a step. When it is done, the animal has advanced
about a twenty-fifth part of an inch.
Public-domain text, read in full here on John Shaqi.
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