Natural history -- Outdoor books; Nature; Nature study; Paris (France) -- Description and travel
So fair a complexion could not brown even in summer, exposed to the
utmost heat. The beams indeed did heighten the hue of her cheeks a
little, but it did not shade to brown. Her chin and neck were wholly
untanned, white and soft, and the blue veins roamed at their will. Lips
red, a little full perhaps; teeth slightly prominent but white and
gleamy as she smiled. Dark brown hair in no great abundance, always
slipping out of its confinement and straggling, now on her forehead,
and now on her shoulders, like wandering bines of bryony. The softest
of brown eyes under long eyelashes; eyes that seemed to see everything
in its gentlest aspect, that could see no harm anywhere. A ready smile
on the face, and a smile in the form. Her shape yielded so easily at
each movement that it seemed to smile as she walked. Her nose was the
least pleasing feature--not delicate enough to fit with the complexion,
and distinctly upturned, though not offensively. But it was not
noticed; no one saw anything beyond the laughing lips, the laughing
shape, the eyes that melted so near to tears. The torn dress, the
straggling hair, the tattered shoes, the unmended stocking, the straw
hat split, the mingled poverty and carelessness--perhaps rather
dreaminess--disappeared when once you had met the full untroubled gaze
of those beautiful eyes. Untroubled, that is, with any ulterior thought
of evil or cunning; they were as open as the day, the day which you can
make your own for evil or good. So, too, like the day, was she ready to
the making.
No stability; now fast in motion; now slow; now by fits and starts;
washing her face to-day, her hands to-morrow. Never going straight,
even along the road; talking with the waggoner, helping a child to pick
watercress, patting the shepherd's dog, finding a flower, and late
every morning at the hay-field. It was so far to come, she said; no
doubt it was, if these stoppings and doublings were counted in. No
character whatever, no more than the wind; she was like a well-hung
gate swinging to a touch; like water yielding to let a reed sway; like
a singing-flame rising and falling to a word, and even to an altered
tone of voice. A word pushed her this way; a word pushed her that.
Always yielding, sweet, and gentle. Is not this the most seductive of
all characters in women?
Had they left her alone, would it have been any different? Those
bitter, coarse, feminine tongues which gave her the name of evil, and
so led her to openly announce that, as she had the name, she would
carry on the game. That is an old country saying, "Bear the name, carry
the game." If you have the name of a poacher, then poach; you will be
no worse off and you will have the pleasure of the poaching. It is a
serious matter, indeed, to give any one a bad name, more especially a
sensitive, nervous, beautiful girl.
Public-domain text, read in full here on John Shaqi.
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