The cause of this longevity is obvious. Nothing wears one out so
quickly as life. The wild Crickets have gaily spent their reserves of
energy on the ladies; the more fervent their ardour, the speedier their
dissolution. The others, their incarcerated kinsmen, leading a very
quiet life, have acquired a further period of existence by reason of
their forced abstinence from too costly joys. Having neglected to
perform the superlative duty of a Cricket, they obstinately refuse to
die until the very last moment.
A brief study of the three other Crickets of my neighbourhood has
taught me nothing of any interest. Possessing no fixed abode, no
burrow, they wander about from one temporary shelter to another, under
the dry grass or in the cracks of the clods. They all carry the same
musical instrument as the Field Cricket, with slight variations of
detail. Their song is much alike in all cases, allowing for differences
of size. The smallest of the family, the Bordeaux Cricket, stridulates
outside my door, under the cover of the box borders. He even ventures
into the dark corners of the kitchen, but his song is so faint that it
takes a very attentive ear to hear it and to discover at last where the
insect lies hidden.
In our part of the world, we do not have the House Cricket, that
denizen of bakers’ shops and rural fireplaces. But, though the crevices
under the hearthstones in my village are silent, the summer nights make
amends by filling the country-side with a charming symphony unknown in
the north. Spring, during its sunniest hours, has the Field Cricket as
its musician; the calm summer nights have the Italian Cricket (Œcanthus
pellucens, Scop.). One diurnal, the other nocturnal, they share the
fine weather between them. By the time that the first has ceased to
sing, it is not long before the other begins his serenade.
The Italian Cricket has not the black dress and the clumsy shape
characteristic of the family. He is, on the contrary, a slender,
fragile insect, quite pale, almost white, as beseems his nocturnal
habits. You are afraid of crushing him, if you merely take him in your
fingers. He leads an aerial existence on shrubs of every kind, or on
the taller grasses; and he rarely descends to earth. His song, the
sweet music of the still, hot evenings from July to October, begins at
sunset and continues for the best part of the night.
This song is known to everybody here, for the smallest clump of bushes
has its orchestra. It is heard even in the granaries, into which the
insect sometimes strays, attracted by the fodder. But the pale
Cricket’s ways are so mysterious that nobody knows exactly the source
of the serenade, which is very erroneously ascribed to the Common Black
Cricket, who at this period is quite young and silent.
Public-domain text, read in full here on John Shaqi.
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