The excavator does not dally long, especially in the sun, whose glare
annoys him. Steadying himself on his fourth pair of legs, the Scorpion
rakes the ground with the three other pairs: he turns it over, reducing
it to a loose dust with a graceful agility that reminds us of a Dog
scratching a hole in which to bury a bone. After the brisk twirling of
the legs comes the touch of the broom. With his tail laid flat and
relaxed to the utmost, he pushes back the earthy mass, making the same
movement as does our elbow when thrusting an obstacle aside. If the
rubbish thus shot back be not sufficiently out of the way, the sweeper
returns, repeats the process and finishes the job.
Observe that the pincers, notwithstanding their strength, never take
part in the digging, even to the extent of extracting a grain of sand.
They are reserved for feeding, fighting, and, above all, enquiry, and
would lose the exquisite sensitiveness of their fingers if used for
that heavy task. In this way the legs and tail, in repeated
alternations, scratch the soil and thrust the rubbish outside. At last
the worker disappears beneath the potsherd. A mound of sand obstructs
the entrance to the vault. At moments we see it shaking and partly
slipping, signs that the work is still going on with a further shooting
of rubbish, until the cell attains a suitable size. When the hermit
wants to go out, he will, without difficulty push back the crumbling
barricade.
The Black Scorpion of our houses has not this capacity for making
himself a crypt. He is found in the mortar collected at the bottom of
walls, the woodwork disjointed by the damp, the rubbish-heaps in dark
places, but he restricts himself to using these refuges as he finds
them, being unable to improve the hiding-place by his own industry. He
does not know how to dig. This ignorance is apparently due to his
feeble broom, his smooth, slender tail, very different from the
Languedocian’s, which is powerful and armed with knotty protuberances.
In the open air, the colony in the enclosure finds a lodging modelled
by my care. Under the flat stones where I have contrived to outline a
cell in the sandy earth, each of them at once disappears and labours to
complete the work, as I perceived by the mound heaped upon the
threshold. Wait a few more days and lift the stone: at a depth of three
or four inches we see the lair, the burrow, occupied at night and open
also by day, when the weather is bad. Sometimes a sudden bend widens
the recess into a spacious chamber. In front of the mansion,
immediately under the stone, is the entrance-hall.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account