Several times a week, in July, I go to study my Spiders on the spot, at
an early hour, before the sun beats fiercely on one's neck. The children
accompany me, each provided with an orange wherewith to slake the thirst
that will not be slow in coming. They lend me their good eyes and supple
limbs. The expedition promises to be fruitful.
We soon discover high silk buildings, betrayed at a distance by the
glittering threads which the dawn has converted into dewy rosaries. The
children are wonderstruck at those glorious chandeliers, so much so that
they forget their oranges for a moment. Nor am I, on my part,
indifferent. A splendid spectacle indeed is that of our Spider's
labyrinth, heavy with the tears of the night and lit up by the first rays
of the sun. Accompanied as it is by the Thrushes' symphony, this alone
is worth getting up for.
Half an hour's heat; and the magic jewels disappear with the dew. Now is
the moment to inspect the webs. Here is one spreading its sheet over a
large cluster of rock-roses; it is the size of a handkerchief. A
profusion of guy-ropes, attached to any chance projection, moor it to the
brushwood. There is not a twig but supplies a contact-point. Entwined
on every side, surrounded and surmounted, the bush disappears from view,
veiled in white muslin.
The web is flat at the edges, as far as the unevenness of the support
permits, and gradually hollows into a crater, not unlike the bell of a
hunting-horn. The central portion is a cone-shaped gulf, a funnel whose
neck, narrowing by degrees, dives perpendicularly into the leafy thicket
to a depth of eight or nine inches.
At the entrance to the tube, in the gloom of that murderous alley, sits
the Spider, who looks at us and betrays no great excitement at our
presence. She is grey, modestly adorned on the thorax with two black
ribbons and on the abdomen with two stripes in which white specks
alternate with brown. At the tip of the belly, two small, mobile
appendages form a sort of tail, a rather curious feature in a Spider.
The crater-shaped web is not of the same structure throughout. At the
borders, it is a gossamer weft of sparse threads; nearer the centre, the
texture becomes first fine muslin and then satin; lower still, on the
narrower part of the opening, it is a network of roughly lozenged meshes.
Lastly, the neck of the funnel, the usual resting-place, is formed of
solid silk.
Public-domain text, read in full here on John Shaqi.
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