I find myself confronted with a subject which is not only highly interesting, but somewhat difficult: not that the subject is obscure; but it presupposes in the reader a certain knowledge of geometry: a strong meat too often neglected. I am not addressing geometricians, who are generally indifferent to questions of instinct, nor entomological collectors, who, as such, take no interest in mathematical theorems; I write for any one with sufficient intelligence to enjoy the lessons which the insect teaches. What am I to do? To suppress this chapter were to leave out the most remarkable instance of Spider industry; to treat it as it should be treated, that is to say, with the whole armoury of scientific formulae, would be out of place in these modest pages. Let us take a middle course, avoiding both abstruse truths and complete ignorance. Let us direct our attention to the nets of the Epeirae, preferably to those of the Silky Epeira and the Banded Epeira, so plentiful in the autumn, in my part of the country, and so remarkable for their bulk. We shall first observe that the radii are equally spaced; the angles formed by each consecutive pair are of perceptibly equal value; and this in spite of their number, which in the case of the Silky Epeira exceeds two score. We know by what strange means the Spider attains her ends and divides the area wherein the web is to be warped into a large number of equal sectors, a number which is almost invariable in the work of each species. An operation without method, governed, one might imagine, by an irresponsible whim, results in a beautiful rose-window worthy of our compasses. We shall also notice that, in each sector, the various chords, the elements of the spiral windings, are parallel to one another and gradually draw closer together as they near the centre. With the two radiating lines that frame them they form obtuse angles on one side and acute angles on the other; and these angles remain constant in the same sector, because the chords are parallel. There is more than this: these same angles, the obtuse as well as the acute, do not alter in value, from one sector to another, at any rate so far as the conscientious eye can judge. Taken as a whole, therefore, the rope-latticed edifice consists of a series of cross-bars intersecting the several radiating lines obliquely at angles of equal value. By this characteristic we recognize the 'logarithmic spiral.' Geometricians give this name to the curve which intersects obliquely, at angles of unvarying value, all the straight lines or 'radii vectores' radiating from a centre called the 'Pole.' The Epeira's construction, therefore, is a series of chords joining the intersections of a logarithmic spiral with a series of radii. It would become merged in this spiral if the number of radii were infinite, for this would reduce the length of the rectilinear elements indefinitely and change this polygonal line into a curve.