On the reverse, a lion clawing the ground and roaring wide-mouthed. Not of to-day alone is the savagery that symbolizes power in the shape of some formidable brute, as though evil were the supreme expression of strength. The eagle, the lion and other marauders often figure on the reverse of coins. But reality is not sufficient; the imagination invents monstrosities: the centaur, the dragon, the griffin, the unicorn, the double-headed eagle. Are the inventors of these emblems so greatly superior to the Redskin who celebrates the prowess of his scalping-knife with a Bear’s paw, a Falcon’s wing or a Puma’s tooth stuck in his hair? We may safely doubt it. How preferable to these heraldic horrors is the reverse of our own silver coinage recently brought into circulation! It represents a sower who, with a nimble hand, at sunrise, fills the furrows with the good seed of thought. It is very simple and it is great; it makes us reflect. The Marseilles drachma has for its sole merit its magnificent relief. The artist who made the dies was a master of the graver’s tool; but he lacked the breath of inspiration. His chub-faced Diana is no better than a trollop. Here is the NAMASAT of the Volscæ, which became the colony of Nîmes. Side by side, profiles of Augustus and of his minister Agrippa. The former, with his dour forehead, his flat skull, his acquisitive broken nose, inspires me with but little confidence, notwithstanding what gentle Virgil said of him: Deus nobis hæc otia fecit. [5] It is success that makes gods. Had he not succeeded in his criminal projects, Augustus the divine would have remained Octavius the scoundrel. His minister pleases me better. He was a great mover of stones, who, with his building operations, his aqueducts and his roads, came and civilized the rude Volscæ a little. Not far from my village a splendid road crosses the plain, starting from the banks of the Aygues, and climbs up yonder, tedious in its monotonous length, to cross the Sérignan hills, under the protection of a mighty oppidum, which, much later, became the old castle, the castelas. It is a section of Agrippa’s Road, which joined Marseilles and Vienne. The majestic ribbon, twenty centuries old, is still frequented. We no longer see the little brown foot-soldier of the Roman legions upon it; in his stead we see the peasant going to market at Orange, with his flock of Sheep or his drove of unruly Porkers. Of the two I prefer the peasant.