Before speaking of Jarvis' great portrait of Paine, I mention a later one by him which Mr. William Erving, of New York, has added to my collection. It would appear to have been circulated at the time of his death. The lettering beneath, following a facsimile autograph, is: "J. W. Jarvis, pinx. 1805. J- R. Ames, del.--L'Homme des Deux Mondes. Born at Thetford, England, Jan. 29, (O. S.) 1737. Died at Greenwich, New York, June 8, 1809." Above the cheap wood-cut is: "A tribute to Paine." On the right, at the top, is a globe, showing the outlines of the Americas, France, England, and Africa. It is supported by the wing of a dove with large olive-branch. On the left upper corner is an open book inscribed: "Rights of Man. Common Sense. Crisis": supported by a scroll with "Doing justice, loving mercy. Age of Reason." From this book rays break out and illumine the globe opposite. A lower corner shows the balances, and the liberty-cap on a pole, the left being occupied by the United States flag and that of France. Beneath are the broken chain, crown, sword, and other emblems of oppression. A frame rises showing a plumb line, at the top of which the key of the Bastille is crossed by a pen, on Paine's breast. The portrait is surrounded by a "Freedom's Wreath" in which are traceable the floral emblems of all nations. The wreath is bound with a fascia, on which appear, by twos, the following names: "Washington, Monroe; Jefferson, Franklin; J. Stewart, E. Palmer; Barlow, Rush; M. Wollstone-craft, M. B. Bonneville; Clio Rickman, J. Home Tooke; Lafayette, Brissot." The portrait of Paine represents him with an unusually full face, as compared with earlier pictures, and a most noble and benevolent expression. The white cravat and dress are elegant. What has become of the original of this second picture by the elder Jarvis? It might easily have fallen to some person who might not recognize it as meant for Paine, though to one who has studied his countenance it conveys the impression of what he probably would have been at sixty-eight. About two years later a drawing was made of Paine by William Constable, which I saw at the house of his nephew, Dr. Clair J. Grèce, Redhill, England. It reveals the ravages of age, but conveys a vivid impression of the man's power.