The Life Of Thomas Paine, Vol. 2. (of 2): With A History of His Literary, Political and Religious Career in America France, and EnglandConway, Moncure Daniel
History
The Life Of Thomas Paine, Vol. 2. (of 2): With A History of His Literary, Political and Religious Career in America France, and England
Conway, Moncure Daniel
Paine, Thomas, 1737-1809
"He usually rose about seven. After breakfast he usually strayed an
hour or two in the garden, where he one morning pointed out the kind of
spider whose web furnished him with the first idea of constructing his
iron bridge; a fine model of which, in mahogany, is preserved in Paris.
The little happy circle who lived with him will ever remember those
days with delight: with these select friends he would talk of his boyish
days, played at chess, whist, piquet, or cribbage, and enliven the
moments by many interesting anecdotes: with these he would play at
marbles, scotch hops, battledores, etc.: on the broad and fine gravel
walk at the upper end of the garden, and then retire to his boudoir,
where he was up to his knees in letters and papers of various
descriptions. Here he remained till dinner time; and unless he visited
Brissot's family, or some particular friend, in the evening, which was
his frequent custom, he joined again the society of his favorites
and fellow-boarders, with whom his conversation was often witty and
cheerful, always acute and improving, but never frivolous. Incorrupt,
straightforward, and sincere, he pursued his political course in France,
as everywhere else, let the government or clamor or faction of the day
be what it might, with firmness, with clearness, and without a shadow of
turning."
In the spring of 1890 the present writer visited the spot. The lower
front of the old mansion is divided into shops,--a Fruiterer
being appropriately next the gateway, which now opens into a wide
thoroughfare. Above the rooms once occupied by Paine was the sign
"Ecrivain Publique,"--placed there by a Mademoiselle who wrote letters
and advertisements for humble neighbors not expert in penmanship. At the
end of what was once the garden is a Printer's office, in which was a
large lithograph portrait of Victor Hugo. The printer, his wife, and
little daughter were folding publications of the "Extreme Left." Near
the door remains a veritable survival of the garden and its living
tenants which amused Paine and his friends. There were two ancient
fruit trees, of which one was dying, but the other budding in the spring
sunshine. There were ancient coops with ducks, and pigeon-houses with
pigeons, also rabbits, and some flowers. This little nook, of perhaps
forty square feet, and its animals, had been there--so an old inhabitant
told me--time out of mind. They belonged to nobody in particular; the
pigeons were fed by the people around; the fowls were probably kept
there by some poultryman. There were eager groups attending every stage
of the investigation. The exceptional antiquity of the mansion had been
recognized by its occupants,--several families,--but without curiosity,
and perhaps with regret. Comparatively few had heard of Paine.
Public-domain text, read in full here on John Shaqi.
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