The Life or Legend of Gaudama, the Buddha of the Burmese (Volume II)Bigandet, Paul Ambroise
Religion
The Life or Legend of Gaudama, the Buddha of the Burmese (Volume II)
Bigandet, Paul Ambroise
Buddhism -- Burma; Burma -- Religion; Gautama Buddha
The Phongyies are sometimes requested to visit the sick, not so much
for the purpose of ministering to the spiritual wants of the sufferer
as for affording him some relief by his presence. It is believed that
the appearance of a holy personage may have some effect in freeing the
diseased from his distemper, and frightening the evil spirits that may
be the mischievous agents in harming patients. The visitor repeats over
them some points of the law that are intended to act as antidotes against
the agency of the wicked one. Phongyies are very particular on the point
of etiquette. When one of them has to enter into upper-storied houses,
the yellow-habited religious, previous to his venturing into the lower
story, will make it sure that there is no one, and particularly no woman,
in the upper apartments, as it would be highly unbecoming that any man,
and _a fortiori_ a woman, should have their feet above his head. To avoid
such an indecorous contingency, in case the sick person lies in a room
upstairs, the Phongyie has recourse to an expedient few, I presume, would
have thought of. By his direction a ladder is brought, the lower part
of which rests on the street, and the upper leans on one of the upper
windows; up goes the pious visitor, who by such a contrivance reconciles
the observance of etiquette with the compliance to his duty. The writer
confesses that he was much amused the first time that he witnessed such
a feat performed at Penang by a Siamese Phongyie. The little crowd,
attracted by this novelty, exhibited a curious mixture of feelings.
Some laughed; many remained silent; but their deportment was evidently
indicative of the respect and admiration that seemed to them to inspire
the scrupulously tender conscience of the religious.
Public-domain text, read in full here on John Shaqi.
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