The Life, Studies, and Works of Benjamin West, Esq.: Composed from Materials Furnished by Himself — John Shaqi
The Life, Studies, and Works of Benjamin West, Esq.: Composed from Materials Furnished by HimselfGalt, John
General
The Life, Studies, and Works of Benjamin West, Esq.: Composed from Materials Furnished by Himself
Galt, John
West, Benjamin, 1738-1820
concentrating elements of a new state, in the midst of boundless forests,
tremendous waterfalls, and mountains whose summits were inaccessible to
"the lightest foot and wildest wing," was the most favourable situation
to imbibe the enthusiasm either of poetry or of painting, if scenery and
such accidental circumstances are to be regarded as every thing, and
original character as nothing. But it may reasonably be doubted if ever
natural scenery has any assignable influence on the productions of genius.
The idea has probably arisen from the impression which the magnificence of
nature makes on persons of cultivated minds, who fall into the mistake of
considering the elevated emotions arising in reality from their own
associations, as being naturally connected with the objects that excite
them. Of all the nations of Europe the Swiss are the least poetical, and
yet the scenery of no other country seems so well calculated as that of
Switzerland to awaken the imagination; and Shakespeare, the greatest of
all modern Poets, was brought up in one of the least picturesque districts
of England.
Soon after the occurrence of the incident which has given rise to these
observations, the young Artist was sent to a school in the neighbourhood.
During his hours of leisure he was permitted to draw with pen and ink; for
it did not occur to any of the family to provide him with better
materials. In the course of the summer a party of Indians came to pay
their annual visit to Springfield, and being amused with the sketches of
birds and flowers which Benjamin shewed them, they taught him to prepare
the red and yellow colours with which they painted their ornaments. To
these his mother added blue, by giving him a piece of indigo, so that he
was thus put in possession of the three primary colours. The fancy is
disposed to expatiate on this interesting fact; for the mythologies of
antiquity furnish no allegory more beautiful; and a Painter who would
embody the metaphor of an Artist instructed by Nature, could scarcely
imagine any thing more picturesque than the real incident of the Indians
instructing West to prepare the prismatic colours. The Indians also taught
him to be an expert archer, and he was sometimes in the practice of
shooting birds for models, when he thought that their plumage would look
well in a picture.
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