The Life, Studies, and Works of Benjamin West, Esq.: Composed from Materials Furnished by HimselfGalt, John
General
The Life, Studies, and Works of Benjamin West, Esq.: Composed from Materials Furnished by Himself
Galt, John
West, Benjamin, 1738-1820
The effect of this argument, and the lofty commanding manner in which it
was delivered, induced the assembly to agree that the Artist should be
allowed to indulge the predilections of his genius; and a private
meeting of the Friends was appointed to be holden at his father's house,
at which the youth himself was requested to be present, in order to
receive, in form, the assent and blessing of the Society. On the day of
meeting, the great room was put in order, and a numerous company of both
sexes assembled. Benjamin was placed by his father, and the men and
women took their respective forms on each side. After sitting some time
in silence, one of the women rose and addressed the meeting on the
wisdom of God, and the various occasions on which He selected from among
His creatures the agents of His goodness. When she had concluded her
exhortation, John Williamson also rose, and in a speech than which,
perhaps, the porticos of Athens never resounded with a more impressive
oratory, he resumed the topic which had been the subject of his former
address. He began by observing that it was fixed as one of their
indisputable maxims, that things merely ornamental were not necessary to
the well-being of man, and that all superfluous things should be
excluded from the usages and manners of their society. "In this
proscription, we have included," said he, "the study of the fine arts,
for we see them applied only to embellish pleasures, and to strengthen
our inducements to gratify the senses at the expense of our immortal
claims. But, because we have seen painting put to this derogatory use,
and have, in consequence, prohibited the cultivation of it among us, are
we sure that it is not one of those gracious gifts which God has
bestowed on the world, not to add to the sensual pleasures of man, but
to facilitate his improvement as a social and a moral being? The fine
arts are called the offspring and the emblems of peace. The Christian
religion itself is the doctrine of good will to man. Can those things
which only prosper in peace be contrary to the Christian religion? But,
it is said, that the fine arts soften and emasculate the mind. In what
way? is it by withdrawing those who study them from the robust exercises
which enable nations and people to make war with success? Is it by
lessening the disposition of mankind to destroy one another, and by
taming the audacity of their animal fierceness? Is it for such a reason
as this, that we who profess to live in unison and friendship, not only
among ourselves, but with all the world that we should object to the
cultivation of the fine arts, of those arts which disarm the natural
ferocity of man? We may as well be told that the doctrine of peace and
life ought to be proscribed in the world because it is pernicious to the
practice of war and slaughter, as that the arts which call on man to
exercise his intellectual powers more than his physical strength, can be
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