the home of the “mousie,” and to be shown the cottage he was born in, and the scenes which inspired his songs, interesting as they are to the writer of prose, must have been peculiarly satisfactory to him. He does not speak of it, however, with the enthusiasm one would expect, and it is quite probable that he was not yet wholly inured to the inconveniences of a wet climate, and could not think or muse in a crowd as satisfactorily as when dry and alone. When he arrived in the town, the streets were filled by an immense throng, and there could have been little satisfaction in trying to fall into poetical dreams. It is a great satisfaction to those of Bayard’s friends who have loved him, and put their faith in him, to know that he put himself on record in some of his early letters, in no light terms, as having an unutterable disgust for the drunken brawling which went on in the name of Burns that day in Ayr. He felt, with great keenness, the disgrace which every American feels that it is to Scotland, that the old cottage, so sacred for its associations as the birthplace of Burns, should be occupied as a drinking-saloon, and be crowded with intoxicated vagabonds. It seemed like making a dog-kennel of a chapel in St. Paul’s. Anything but genius, intellect, or wit characterizes the crowd that usually frequent Burns’ Cottage on such days; and it is said to have been, in 1844, the resort of a more beastly class than are those wretches who get intoxicated there now, and, naturally, on such a great day as that on which Bayard visited it, every Scotsman who indulged at all became furiously drunk. Besides that inconvenience, the trustees of the monument, on the day when so many thousands came to see it and its treasures, voted to lock it up; and Bayard, with the others, was shut out from its interesting collection of relics and mementoes. Still further, it was so arranged by the marshals of the occasion, that the grand stand, with its literary feast and the ceremonies appurtenant to the occasion, were shut out from the populace to whom the poet sang, and Bayard being only a strange boy, with no more of a title than Robert Burns had, was obliged to content himself with a seat on the ridge of the “brig o’ Doon.” He did see old Alloway kirk, and heard its bell. He saw within its ruined walls the rank weeds, and without, the graves of the poet’s ancestry. He did have a cheerful pedestrian tour; for the home of Burns, with Alloway kirk and the bonnie Doon, are three miles from the city of Ayr in open country. He saw the sister and sons of the poet. He heard the assembled thousands sing, “Ye banks and braes’ o’ bonnie Doon.” He saw a grandson of Tam O’Shanter. He had to walk the three miles, returning through mud and rain, and he had to stand in an open car, exposed to a driving rain-storm, throughout the two hours’ ride by railroad to Glasgow. How different his reception then, as a boy and unknown, from that which he received in his riper age, after