In conclusion, as we reflect upon the fourfold aspect of the subject that we have presented in outline in these pages, the whole imagery passes in review before the mental vision. We see that the radiant constellations of the heavenly vault, with the beautiful reflection and counterpart, the shining Zodiac, are the two halves of the great Cycle of Necessity, the spiral of eternal, universal life, which binds the whole into unity, and unity into infinity. It is the grand scheme of creative life. The seven principles of Nature, or Divine Activities, are the forces producing the phenomena within seven angelic states, seven kingdoms, and, by seven planets, upon the external plane; the planets being the passive mediums of the positive spiritual forces. Upon this dual spiral, which reflects the seven rays of the solar spectrum is produced seven musical notes; one half of the spiral in sound and color being the complementary of the other half. Man, the Earth, and our solar system, are revolving, each orb in its own key, and its own peculiar ray, meeting and blending with other spirals, and the whole blending into one mighty spiral Cycle of Progressive Life, revolving around the Eternal, Infinite Ego-God, ever involving and evolving the attributes, powers and possibilities of the One great central source of Being. It is a grand orchestra, pealing out in richest melody and sublime HARMONY, the grand Anthem of Creation: "We Praise Thee, O God." CHAPTER V. ASTRO-MYTHOLOGY The Astro-Mythological system of the ancients, though forming the last section, so to say, of the mysteries of the Divine Urania, is, perhaps, the most beautiful of its general features, and perfect in the complete fulfillment of the purpose for which it was intended, viz.:-- to convey to the human mind a lesson, a moral, a truth in Nature; and last, but not the least, to serve as a basis upon which its inner aspirations and its more external faith might rest in security. When we come to examine the deep, philosophical principles of such a wise system, we are almost astounded at the result of our researches and the wisdom of human nature displayed in formulating such perfect analogies of truth, semi-truth, and of falsehood, according to the plane occupied by the individual. Let us take one instance, which will clearly explain all the rest, for they are built and formulated after the same model. Aeneas, of Greek myths and fables, is reputed to be the son of Venus by a MORTAL father, upon the plane of reality. As that of actual PARENT and CHILD, of course this is an utter falsehood. To the rural population of long, long ago, and their simple, rustic conceptions, IT WAS A TRUTH.