Actresses -- Fiction; Dramatists -- Fiction; Love stories; New York (N.Y.) -- Fiction
The reading passed to a rather enthusiastic finish, and Douglass then
said: "I have read the play to you carefully, because I believe--_I
know_--that an intelligent rendition of your individual parts is
impossible without a clear knowledge of the whole drama. My theories of
a play and its representation are these: As an author, I see every
detail of a scene as if it were a section of life. I know where all my
people are at each moment of time, and their positions must be
determined by the logic of the picture without any reference to those
who wish to hold the centre of the stage. In a certain sense you are
only different-colored pigments in my hands, to be laid on to form a
unified painting. You must first of all learn to subordinate yourselves
to the designs of the author. I know this sounds harsh--seems to reduce
you to a very low level of intelligence; but, as a matter of fact, the
most highly gifted of our actors to-day are those who are able to do
this very thing--to carry in their minds a conception of the unity of a
scene, never thrusting their personalities through it or out of it. I
mention these points because I intend to assist in the rehearsals, and I
don't want to be misunderstood."
Helen interposed a word: "I need not say that I consider this a very
powerful play--with that opinion you all agree, I am sure--but I want
to say further that Mr. Douglass has the right to demand of each of us
subordination to the inner design of his work. I am personally very glad
always to avail myself of the author's criticism and suggestion. I hope
you will all feel the same willingness to carry out Mr. Douglass's
scenes as he has written them. Mr. Saunders, will you please give out
the parts and call a rehearsal for to-morrow at ten o'clock sharp?"
At this point all rose. Saunders, a plain little man, highly pleased
with his authority, began to bustle about, bellowing boisterously: "Here
you are now--everybody come letter-perfect to-morrow. Sharp at ten. No
lagging."
The players, accustomed to his sounding assumption of command, paid no
attention other than to clutch their rolls of type-written manuscript.
Each withdrew into the street with an air of haste.
As Helen received her portion Saunders said: "Here, Miss Merival, is a
fat part--must be yours. Jee-rusalem the golden! I'd hate to tackle that
role."
Douglass was ready to collar the ass for his impudent tone, but Helen
seemed to consider it no more than the harmless howl of a chair sliding
across the floor. She was inured to the old-time "assistant
stage-manager."
Turning to Douglass, she said, "Do you realize, Mr. Author, that we are
now actually begun upon your play?"
"No, I do not. I confess it all seems a make-believe--a joke."
Public-domain text, read in full here on John Shaqi.
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