Actresses -- Fiction; Dramatists -- Fiction; Love stories; New York (N.Y.) -- Fiction
Her voice. Yes, that, too, was mysterious. Whence came that undertone
like the moan of a weary wastrel tortured with dreams of idyllic
innocence long lost? Why did her utterance, like her glorious face,
always suggest some inner, darker meaning? There were times when she
seemed old--old as vice and cruelty, hoarse with complaints, with
curses, and then again her lips were childishly sweet, and her voice
carried only the wistful accents of adolescence or the melody of girlish
awe.
On the night before his appointment she played _The Baroness Telka_, a
lurid, lustful, remorseless woman--a creature with a vampire's heart and
the glamour of Helen of Troy--a woman whose cheeks were still round and
smooth, but whose eyes were alight with the flame of insanity--a
frightful, hungry, soulless wretch. And as he sat at the play and
watched that glittering, inexplicable woman, and thought of her roles,
Douglass asked himself: "How will she meet me to-morrow? What will be
the light in her eyes when she turns them upon me? Will she meet me
alone--haughty, weary with praise, or will she be surrounded by those
who bow to her as to a queen?" This latter thing he feared.
He had not been without experience with women--even with actresses; but
no woman he had ever met had appealed to his imagination beyond the
first meeting. Would it be so with Helen Merival? He had loved twice in
his life, but not well enough to say so to either of his sweethearts.
Around Myra's name clung the perfume and moonlight of summer evenings in
the far-off mid-continent village where he was born, while Violet
recalled the music, the comfort, and the security of a beautiful Eastern
home. Neither of these sweet and lovely girls had won his heart
completely. How was it that this woman of the blazoning bill-boards had
already put more of passion into his heart than they of the pure and
sheltered life?
He did not deceive himself. It was because Helen could not be understood
at a glance. She appealed to his imagination as some strange bird--alien
voyager--fled from distant islands in dim, purple seas. She typed the
dreams of adventuring youth seeking the princesses of other and more
romantic lands.
At times he shuddered with a fear that some hidden decay of Helen
Merival's own soul enabled her to so horrify her audience with these
desolating roles, and when the curtain fell on _The Baroness_, he was
resolved to put aside the chance of meeting the actress. Was it worth
while to be made ashamed and bitter? She might stand revealed as a
coarse and selfish courtesan--a worn and haggard enchantress whose
failing life blazed back to youth only when on the stage. Why be
disenchanted? But in the end he rose above this boyish doubt. "What does
it matter whether she be true or false? She has genius, and genius I
need for my play--genius and power," and in the delusion he rested.
Public-domain text, read in full here on John Shaqi.
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