Actresses -- Fiction; Dramatists -- Fiction; Love stories; New York (N.Y.) -- Fiction
Her eyes grew steady and penetrating, but a slow, faint flush showed her
self-consciousness. "Who are talking?"
"Westervelt--the whole company." He knew his sister and wished he had
not spoken, but he added: "The fellows on the street have noticed it.
How could they help it when you walk with him and eat with him and ride
with him?"
"Well?" she asked, with defiant inflection. "What is to follow? Am I to
govern my life to suit Westervelt or the street? I admire and respect
Mr. Douglass very much. He has more than one side to him. I am sick of
the slang of the Rialto and the greenroom. I'm tired of cheap witticisms
and of gossip. With Mr. Douglass I can discuss calmly and rationally
many questions which trouble me. He helps me. To talk with him enables
me to take a deep breath and try again. He enables me to forget the
stage for a few hours."
Hugh remained firm. "But there's your own question--what's to be the end
of it? You can't do this without getting talked about."
She smiled, and the glow of her humor disarmed him. "Sufficient unto the
end is the evil thereof. I don't think you need to worry--"
Hugh was indeed greatly troubled. He began to dislike and suspect
Douglass. They had been antipathetic from the start, and no advance on
the author's part could bring the manager nearer. It was indeed true
that the young playwright was becoming a marked figure on the street,
and the paragrapher of _The Saucy Swells_ spoke of him not too obscurely
as the lucky winner of "our modern Helen," which was considered a smart
allusion. This paragraph was copied by the leading paper of his native
city, and his father wrote to know if it were really true that he was
about to marry a play-actress.
This gave a distinct shock to Douglass, for it made definite and very
moving the vague dreams which had possessed him in his hours of
reflection. His hands clinched, and while his heart beat fast and his
breath shortened he said: "Yes, I will win her if I can"; but he was not
elated. The success of his play was still in the future, and till he had
won his wreath he had no right to address her in any terms but those of
friendship.
In spite of the flood of advance notices and personal paragraphs, in
spite of envious gossip, he lived on quietly in his attic-room at the
Roanoke. He had few friends and no intimates in the city, and cared
little for the social opportunities which came to him. Confident of
success, he gave up his connection with _The Blazon_, whose editor
valued his special articles on the drama so much as to pay him
handsomely for them. The editor of this paper, Mr. Anderson, his most
intimate acquaintance, was of the Middle West, and from the first
strongly admired the robust thought of the young architect whose
"notions" concerning the American drama made him trouble among his
fellow-craftsmen.
Public-domain text, read in full here on John Shaqi.
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