Actresses -- Fiction; Dramatists -- Fiction; Love stories; New York (N.Y.) -- Fiction
"There is a risk, I will be frank with you; but your play is worth it. I
have not been so powerfully moved in years. You have thrilled me. Really
I cannot tell you how deeply your theme has sunk into my heart. You have
the Northern conscience--so have I; that is why I rebel at being merely
the plaything of a careless public. Yes, I will do your play. It is a
work of genius. I hope you wrote it in a garret. It's the kind of thing
to come from a diet of black bread and water."
He smiled. "I live in a sort of garret, and my meals are frequently
beans and brown bread. I hope that will do."
"I am glad the bread is at least brown.... But you are tired. Leave the
manuscript with me." He rose and she moved towards him with a gesture
of confidence which made words impossible to him. "When we meet again I
want you to tell me something of yourself.... Good-night. You will hear
from me soon." She was regal as she said this--regal in her own proper
person, and he went away rapt with wonder and admiration of the real
Helen Merival as she now stood revealed to him.
"She is greater than my dreams of her," he said, in a sort of rapture as
he walked the street. "She is greater than she herself can know; for her
genius is of the subtle, unspeakable deeps--below her own consciousness,
beyond her own analysis. How much greater her art seems, now that I have
seen her. It is marvellous! She will do my play, and she will
succeed--her power as an actress would carry it to a success if it were
a bad play, which it is not. My day has dawned at last."
* * * * *
Helen went to bed that night with a consciousness that something new and
powerful had come into her life. Not merely the play and her
determination to do it moved her--the man himself profoundly impressed
her. His seriousness, his decision and directness of utterance, and the
idealism which shone from his rugged, boyish face remained with her to
the verge of sleep. He was very handsome, and his voice singularly
beautiful, but his power to charm lay over and beyond these. His sincere
eyes, his freedom from flippant slang, these impressed her with a sense
of his reliability, his moral worth.
"He is stern and harsh, but he is fine," she said to her mother next
morning, "and his play is very strong. I am going to do it. You will
like the part of _Lillian_. It has the Scotch sense of moral
responsibility in it."
II
Douglass rose next morning with a bound, as if life had somehow become
surcharged with fresh significance, fresh opportunity. His professional
career seemed dull and prosaic--his critical work of small avail. His
whole mind centred on his play.
Public-domain text, read in full here on John Shaqi.
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