New Mexico -- Fiction; Western stories; Women pioneers -- Fiction
Sometimes from the depths of her there flashed up at odd moments
intimations of a future revolt. She remembered one evening at the opera
when the curtain had risen upon a particularly well-done piece of stage
scenery—a broad space of deep desolateness, reaching away under an
infinitude of night sky, illumined by stars. The suggestion it brought
of vast wastes of lonely, rugged earth, of a great, blue-arched vault of
starry sky, pervaded her soul with a strange, sweet peace.
When the scene was changed she lost this vague new sense of peace, and
she turned away from the stage in irritation. She looked at the long,
curved tier of glittering boxes that represented her world. It was a
distinguished and splendid world—the wealth, fashion, culture, beauty,
and blood of a nation. She, Madeline Hammond, was a part of it. She
smiled, she listened, she talked to the men who from time to time
strolled into the Hammond box, and she felt that there was not a moment
when she was natural, true to herself. She wondered why these people
could not somehow, some way be different; but she could not tell what
she wanted them to be. If they had been different they would not have
fitted the place; indeed, they would not have been there at all. Yet she
thought wistfully that they lacked something for her.
And suddenly realizing she would marry one of these men if she did not
revolt, she had been assailed by a great weariness, an icy-sickening
sense that life had palled upon her. She was tired of fashionable
society. She was tired of polished, imperturbable men who sought only to
please her. She was tired of being feted, admired, loved, followed,
and importuned; tired of people; tired of houses, noise, ostentation,
luxury. She was so tired of herself!
In the lonely distances and the passionless stars of boldly painted
stage scenery she had caught a glimpse of something that stirred her
soul. The feeling did not last. She could not call it back. She imagined
that the very boldness of the scene had appealed to her; she divined
that the man who painted it had found inspiration, joy, strength,
serenity in rugged nature. And at last she knew what she needed—to be
alone, to brood for long hours, to gaze out on lonely, silent, darkening
stretches, to watch the stars, to face her soul, to find her real self.
Public-domain text, read in full here on John Shaqi.
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