New Mexico -- Fiction; Western stories; Women pioneers -- Fiction
She stood quivering and blazing with wrath, and watched this savage
fight his drunkenness. He acted like a man who had been suddenly shocked
into a rational state of mind, and he was now battling with himself to
hold on to it. Madeline saw the dark, damp hair lift from his brows as
he held it up to the cool wind. Above him she saw the white stars in the
deep-blue sky, and they seemed as unreal to her as any other thing
in this strange night. They were cold, brilliant, aloof, distant; and
looking at them, she felt her wrath lessen and die and leave her calm.
The cowboy turned and began to talk.
“You see—I was pretty drunk,” he labored. “There was a fiesta—and a
wedding. I do fool things when I’m drunk. I made a fool bet I’d marry
the first girl who came to town.... If you hadn’t worn that veil—the
fellows were joshing me—and Ed Linton was getting married—and
everybody always wants to gamble.... I must have been pretty drunk.”
After the one look at her when she had first put aside her veil he had
not raised his eyes to her face. The cool audacity had vanished in what
was either excessive emotion or the maudlin condition peculiar to some
men when drunk. He could not stand still; perspiration collected in
beads upon his forehead; he kept wiping his face with his scarf, and he
breathed like a man after violent exertions.
“You see—I was pretty—” he began.
“Explanations are not necessary,” she interrupted. “I am very
tired—distressed. The hour is late. Have you the slightest idea what it
means to be a gentleman?”
His bronzed face burned to a flaming crimson.
“Is my brother here—in town to-night?” Madeline went on.
“No. He’s at his ranch.”
“But I wired him.”
“Like as not the message is over in his box at the P.O. He’ll be in town
to-morrow. He’s shipping cattle for Stillwell.”
“Meanwhile I must go to a hotel. Will you please—”
If he heard her last words he showed no evidence of it. A noise outside
had attracted his attention. Madeline listened. Low voices of men, the
softer liquid tones of a woman, drifted in through the open door. They
spoke in Spanish, and the voices grew louder. Evidently the speakers
were approaching the station. Footsteps crunching on gravel attested to
this, and quicker steps, coming with deep tones of men in anger, told
of a quarrel. Then the woman’s voice, hurried and broken, rising higher,
was eloquent of vain appeal.
The cowboy’s demeanor startled Madeline into anticipation of something
dreadful. She was not deceived. From outside came the sound of a
scuffle—a muffled shot, a groan, the thud of a falling body, a woman’s
low cry, and footsteps padding away in rapid retreat.
Public-domain text, read in full here on John Shaqi.
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