NICHOLAS IVÁNOVICH. I will go and write a petition for you. [To
Policeman] Can't you let him remain here for the present?
POLICEMAN. Our orders are to take him to the police-station now.
NICHOLAS IVÁNOVICH [to Peter] Well then go, and I'll do what I can. This
is evidently my doing. How can one go on living like this? [Exit].
Curtain.
SCENE 3
In the same country-house. It is raining outside. A drawing-room
with a grand piano. Tónya has just finished playing a sonata of
Schumann's and is sitting at the piano. Styópa is standing by the
piano. Borís is sitting. Lyúba, Lisa, Mitrofán Ermílych and the
young Priest are all stirred by the music.
LYÚBA. That andante! Isn't it lovely!
STYÓPA. No, the scherzo. Though really the whole of it is beautiful.
LISA. Very fine.
STYÓPA. But I had no idea you were such an artist. It is real masterly
play. Evidently the difficulties no longer exist for you, and you think
only of the feeling, and express it with wonderful delicacy.
LYÚBA. Yes, and with dignity.
TÓNYA. While _I_ felt that it was not at all what I meant it to be. A
great deal remained unexpressed.
LISA. What could be better? It was wonderful.
LYÚBA. Schumann is good, but all the same Chopin takes a stronger hold
of one's heart.
STYÓPA. He is more lyrical.
TÓNYA. There is no comparison.
LYÚBA. Do you remember his prelude?
TÓNYA. Oh, the one called the George Sand prelude? [Plays the
commencement].
LYÚBA. No, not that one. That is very fine, but so hackneyed. Do play
this one. [Tónya plays what she can of it, and then breaks off].
TÓNYA. Oh, that is a lovely thing. There is something elemental about
it--older than creation.
STYÓPA [laughs] Yes, yes. Do play it. But no, you are too tired. As it
is, we have had a delightful morning, thanks to you.
TÓNYA [rises and looks out of window] There are some more peasants
waiting outside.
LYÚBA. That is why music is so precious. I understand Saul. Though I'm
not tormented by devils, I still understand him. No other art can make
one so forget everything else as music does. [Approaches the window. To
Peasants] Whom do you want?
PEASANTS. We have been sent to speak to Nicholas Ivánovich.
LYÚBA. He is not in. You must wait.
TÓNYA. And yet you are marrying Borís who understands nothing about
music.
LYÚBA. Oh, surely not.
BORÍS [absently] Music? Oh no. I like music, or rather I don't dislike
it. Only I prefer something simpler--I like songs.
TÓNYA. But is not this sonata lovely?
BORÍS. The chief thing is, that it is not important; and it rather hurts
me, when I think of the lives men live, that so much importance is
attached to music.
They all eat sweetmeats, which are standing on the table.
LISA. How nice it is to have a fiancé here and sweetmeats provided!
BORÍS. Oh that is not my doing. It's mamma's.
TÓNYA. And quite right too.
Public-domain text, read in full here on John Shaqi.
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